The Emmerdale '80s Bus - Part 1

This is a bus with a difference. It travels through time. The Emmerdale '80s bus will drop us at various stops to glimpse life during that decade at the farm and in the village. We begin at December 1984...

Jack is having an affair with Karen Moore, a young auctioneer at Hotten Market. The relationship began when Karen sympathised with him after Emmerdale Farm Ltd decided that his purchase of some pedigree cows had been wrong back in the summer. Even Pat had sided with the others, and Jack had felt suddenly confined by his life at the farm. Ever the free spirit, Jack had kicked back hard, and Karen's sympathy had seemed very attractive. Jack had begun seeing her. By December, he was living with the fact that he was in love with two women.

Matt Skilbeck knew what was happening. He was worried as Christmas was looming and it was to be the first without Grandad Sam Pearson, who had died shortly before. Joe, who was working in France, would be coming back to England for the festivities, but this would be a difficult Christmas for all of them - especially Annie.

 

Being Jack, the author, the thinker, the simple approach of deciding between his wife and Karen was not a path he could easily take. He loved Karen. He loved Pat. He didn't want to hurt either. And yet he was hurting both. Pat had been his youthful lover, the mother of his son. She now represented family and security; Karen was young and free - she represented the unfettered life Jack also wanted to live.

Pat knew what was going on and was devastated. She reflected on what a difference a bit of tinsel made to the parlour at Emmerdale, and, slightly bitter, commented that she had kept a piece for herself. She had relocated to the boxroom as far as sleeping arrangements were concerned.

Over at Home Farm, Alan Turner showed off his policeman's costume for the Beckindale Amateur Players forthcoming production of The Pirates of Penzance. He'd asked Mrs Bates to get some Christmas shopping for him, including a gift for Jill, his wife. Mrs Bates had chosen a pretty nightie for her. She was unaware that Jill and Alan were estranged, but got a glimpse of the sad state of Alan's personal life when he awkwardly confessed that he didn't give his wife such "intimate" presents.

Later, Alan surprised Mrs Bates by presenting the nightie to her as a present. He was sad and awkward; spoke more about the state of his marriage, and said that he wanted to thank Mrs Bates for her nine months of help at NY. Mrs Bates protested, the gift was too expensive, but Alan insisted and quietly retreated, leaving Mrs Bates feeling as sad and as awkward as him.

Young Sam Skilbeck was celebrating his second birthday, and his parents took him out to feed the geese at the farm. Dolly reflected sadly on the harsh realities of farming life - the fate of the geese now Christmas was upon them, and said she thought it would upset Sam if he knew. Matt pointed out that it also upset her - every year the same!

Annie had preparations for Christmas well in hand in the kitchen at Emmerdale Farm, with Sandie as her assistant. Sandie asked if they could make up a parcel for her father, Tom, who was in prison. Annie happily agreed - pies, sausage rolls, etc.

Annie was delighted when Joe phoned. He would soon be with them. She passed on Matt's jovial comment that he owed them eighteen months' worth of milking!

In the parlour, Annie commented to Pat that there had always been laughter in the house when Joe was there. Pat, aware that she hadn't been very jolly recently, apologised for any signs of misery, but Annie hurried to reassure her: she hadn't been getting at anybody.

Over at the Woolpack, Amos Brearly had been treating the villagers to some truly terrible sounds as he practised for his role in The Pirates of Penzance. There was no Mr Wilks on hand to try and keep Mr B under control. Henry was in Italy, attending his daughter Marian's wedding.

Amos commented that the audience at the rehearsal for Pirates had all been very moved by his singing. Mike Conrad retorted that the audience had certainly MOVED when Amos began singing. Amos rejected that - humph! - but was frightened that he was losing his voice. Would everything be all right on the night?

Seth Armstrong was in The Pirates too, of course.

 As a pirate.

Of course!

Mike Conrad was in love with Sandie Merrick. But the feeling wasn't mutual. Mike confided in Walter, telling him he was sure he knew how he felt. Walter silently assured him that he did.

Up in the attic bedroom at Emmerdale Farm, Jack reflected on the tangled state of his love life. He loved Karen. He loved Pat. To Thine Own Self Be True... Pat had been upset when he'd arrived home in the early hours of the morning, having slept with Karen. He'd had to get back because of the milking. On another occasion, when he'd moved to comfort her, she had been furious - he stank of Karen's perfume!

Jack was hurting Pat.

Jack was hurting Karen.

Jack was hurting Annie, and Matt, and everybody who knew at Emmerdale. Sandie Merrick was having to work with Karen at Hotten Market, knowing that she was sleeping with her mother's husband. Jackie didn't know. Jack couldn't bear to contemplate what the knowledge would do to the fragile relationship he had built with his son.

Pat came in to ask if Jack had bought the bracelet they'd decided on for Sandie's Christmas present? He had. They talked. Pat cried, said she missed him so much, couldn't imagine life without him. Did he want her to leave Emmerdale Farm? Jack was shocked - of course not! It was her home. Pat replied that in some ways she'd never felt she really belonged there. It was HIS home. Jack held her close... they kissed... and... the boxroom had no occupant that night.

Anarchistic goof Archie Brooks didn't really want to be a policeman in The Pirates. He insisted on wearing his CND badge on his uniform.

Joe arrived back in Beckindale and took a stroll around the farm, remembering Grandad Pearson.

It was not going to be an easy festive period.

But, of course, he had no idea of just how difficult it was going to be...

1987: The Return To Normality...

 

An Emmerdale Farm script - episode 1187, 1987.

Anybody who has ever been successfully involved in any type of campaign will probably appreciate this. There you were, campaigning away, adrenalin flowing, great team spirit all around you. Then you win. And then you celebrate. And then life returns to boring normality. The villagers of Beckindale fought a hearty battle in 1987 to prevent the dumping of nuclear waste by the Government not far away. They won. And then it was back to Annie feeding the geese and Amos and Mr Wilks bickering in the Woolpack.

We recently happened upon a parcel of 1987 Emmerdale Farm scripts which clearly show the return to normality in Beckindale after the battle was won...

A page from the script: Annie feeds the geese and natters with Dolly...

Archie Brooks was not impressed with everyday life post-dump threat, as this brilliant extract from the script proves...

ARCHIE: Is this it then?

AMOS: Hmm? (NOT LOOKING UP)

ARCHIE: "What we all spent months fighting for. What Jack Sugden went to prison for. Life without a nuclear dump. Dunt amount to much does it.

AMOS: (TAKEN ABACK) Nowt wrong wi' a bit o' peace and quiet lad.

WILKS (SMILES) The silence was fairly deafening. Sorry.

ARCHIE: This place used to be buzzing - it used to be - (GESTURES) it used to have - (GESTURES)

AMOS: (HELPFUL) Customers?

ARCHIE: "No - you know what I mean. Argument - debate - an atmosphere you could cut with a knife some nights. We were fighting and we were alive. We had - meetings.

WILKS: And then we won.

ARCHIE: (DEFLATED) Aye. And then we won.

AMOS: (GENTLY) That was the whole point Archie. So we could get back to where we were before. Where we are now.

A LONG SILENCE

AMOS: It is a bit dull in here now you mention it. I could get in some different flavoured crisps. Or them spicey sausages. A lot of folk like them.

1987: No Nukes In Beckindale...

A public meeting at The Woolpack, chaired by the Rev Donald Hinton (Hugh Manning), Henry Wilks (Arthur Pentelow) and Alan Turner (Richard Thorp) was dominated by the brothers Sugden...

Jack (Clive Hornby) saw the prospect of the nuclear dump as something to fight. There was no question about it:

"If they can prove to us that the ground around here is as solid as they say it is, bring on the nuclear waste!" he sneered.

"We'll all be happy, reason has won the day! Well, try telling that to farmers in the Dales who've got young lambs registering on the gieger counter! Our only course is to fight so that they can't come to Beckindale to talk or to do tests or to do one damn thing! And that's what we've got to believe. Everybody that lives here."

He looked at his brother Joe (Frazer Hines), standing quietly at the bar.

"And that means EVERYBODY!"

Joe pointed out that this was 1987. Did that mean we wanted radiation? Jack fumed.

Joe did not approve of Jack's outlook. He wanted an objective debate about the proposed nuclear waste dump. The "burning haystacks" method of blind resistance Jack favoured struck no sympathetic chord in Joe.

Feelings were running high in in Beckindale, and another public meeting, this time at the village hall and attended by a representative of the nuclear dump backers, took an unexpected turn when a coffin bearing a radiactive warning symbol was carried in.

"You claim that the risks of nuclear waste are no greater than smoking one cigarette a year," said Jackie Merrick (Ian Sharrock) to the nuclear "yes" man.

And cigarette smoke began to rise from a hole in the coffin lid.

And the coffin lid was pushed aside.

And a skeleton emerged.

A skeleton which sounded amazingly like Archie Brooks (Tony Pitts):

"Well, I think I'd rather have one fag a year than your waste on my doorstep!" it said.

Of course, smoking the fag to make this point was no hardship to Archie - a devoted smoker back then.

The 1987 Emmerdale Farm nuclear waste dump story-line was based on a true story, and hailed as a major step forward in the politicisation of soap.

Archie Brooks (Tony Pitts) - In The Beginning...

Archie Brooks, played by Tony Pitts, in 1984. Mike Conrad (Martin Barrass) had dragged him into decorating the back room at The Woolpack after Amos (Ronald Magill) had accidentally caused his gas cooker to explode, spraying hot casserole all over the walls.

Archie Brooks, of Hotten, was a genuine one-off - right from the time of his very first appearance in Emmerdale Farm in November 1983.

New Emmerdale Farm Producer Richard Handford took over from Anne W Gibbons in June 1983, and immediately decided to give Jackie Merrick (Ian Sharrock) more of a social life. Martin Barrass arrived as Jackie's pal, Mike Conrad. Mike looked on as Jackie lurched through his short-lived relationship with Angie Richards (Beverley Callard).

And then, with the Angie affair consigned to history, Mike came rattling up to Emmerdale Farm one day in his tacky old van (complete with mattress in the back for "entertaining" the local scrubbers, er, sorry - I mean "ladies"!).

Mike had brought with him a pal of his called Archie. Archie was a little on the odd side by local standards, with his Tom-from-the-Thompson-Twins style hairdo and ghetto blaster. But, this being Beckindale, Archie wasn't playing Mr Pharmacist or Party Fears 2 on his ghetto blaster - bless your heart no - he was playing Status Quo's latest dazzling hit, Old Rag Blues. He did get a little trendier by slotting in some Big Country later though.

Archie had great enthusiasm for popular music - spanning everything from Little Richard to Alexei Sayle's Ullo John! Gotta New Motor? He also played the electric guitar.

Archie distinguised himself on his first visit to Emmerdale Farm by being rather monosyllabic and "out of it", and by rocking back and forth on one of the kitchen chairs, finally overbalancing, and causing the chair to break.

He was soon back in Beckindale to play the guitar with local New Wave band The Giro Technics (the name was a clever play on unemployment giro cheques) at the Beckindale Christmas Show, and he joined Jackie and Mike in undertaking some deliveries of quarry stones for local baddie Harry Mowlam (Godfrey James).

When Harry wouldn't give the lads their agreed rate of pay, and the lads were trying to think of a possession of Harry's they could seize and hold to ransom to force him to pay up, Archie thought the answer was obvious: some quarry stones.

As Harry Mowlam owned a large quarry at Connelton, and was in no way short of stones, Mike and Jackie, needless to say, were not impressed by Archie's suggestion.

In early 1984, Archie and Mike undertook the job of decorating the back room at The Woolpack. Archie proved himself a pretty good decorator, but the job took longer than was originally envisaged because of Mike's tendency to skive and Archie's tendency to break off and write poems and love letters on scraps of wallpaper.

Archie was in love.

And her name was Cathy.

However, writing love letters didn't come easily to the slow-thinking lad.

But, with Mike's advice, surely he couldn't go wrong?

Mike: "Why don't you put: 'Dear Cathy, you're the best looking bird I've ever seen, how about a bit of the other? Your secret admirer, Archie.' "

Archie saw nothing wrong with the sentiments expressed, but spotted a basic flaw:

"Hang on. How can I be a secret admirer if I sign my name?"

As the 1980s continued, Archie would appear in the Emmerdale Farm series more and more, become a bit of a thinker, and develop strong political and ecological views.

But that was very hard to imagine in his early days!

1989: Beckindale Gets Knitting - Again...

1989... the year Tim Berners-Lee invented the World Wide Web, the Berlin Wall came down, Acid House Raves rocked youth culture, Sky TV was launched and, over in America, Game Boy arrived...

And the year also brought a new knitting book from Emmerdale Farm, the first since 1983. Out came the needles across the land.

On the cover were Kate (Sally Knyvette) and Joe (Frazer Hines) Sugden. After a stormy relationship, they tied the knot in '89, but married life was not to be peaceful as Kate found her organic venture at Crossgill beset by slugs, and her daughter, Rachel (Glenda McKay) tumbled into an affair with married Pete Whiteley (Jim Millea).

A traumatic year for Dolly (Jean Rogers) and son Sam Skilbeck (Benjamin Whitehead), also on the knitting book cover, as the Skilbeck marriage finally broke up. For Amos Brearly (Ronald Magill) there was irritation as Mr Wilks (Arthur Pentelow) developed hay fever and sneezed his way through the summer...

Evolution not revolution was the apparent intention of Emmerdale Farm producer Stuart Doughty, the man from Brookside, featured in the knitting book wearing a charming jumper. He took the producer's chair in 1988. His reign saw tense drama in Beckindale in 1989, and the arrival of the Tate family at Home Farm in November of that year.

1989 also saw the deletion of the word "Farm" from the show's title, as Doughty decided to begin dropping some of the farming content - and to reflect the fact that a lot of the show was not actually about the farm.

From a temporary bit-part in 1978, to full-time character status in 1980, Seth Armstrong (Stan Richards) spent quite a lot of 1989 baiting Amos Brearly. Situation normal.

Kathy Merrick (Malandra Burrows) - looking charming in a lovely '80s cardie. The poor girl faced the tragic loss of her husband, Jackie (Ian Sharrock) in 1989 - he accidentally shot himself whilst hunting a troublesome fox.

Amos and Mr Wilks - a stormy year at The Woolpack as Amos realised just how irritating Mr Wilks was (!!!!). He told Seth: "I cannot understand why I've never noticed before, he's got more irritating habits than anyone I've ever known - including you, Seth Armstrong!"

Matt Skilbeck (Frederick Pyne) - lovely cardie, but 1989 had it in for the man. His marriage to Dolly was at an end. Frederick Pyne recorded Matt's last scenes in November, and Matt was last seen on-screen in December.

Caroline Bates (Diana Davies) arrived as a temp secretary at NY Estates in 1984. She soon became permanent. Since his arrival in 1982, Alan Turner (Richard Thorp) had been making a proper pig's ear of things on the estate, and Mrs Bates was his saviour. Romance developed and, in 1989, the two planned to wed. But things didn't work out, and Mrs Bates left Beckindale, in tears, in November to look after her ailing mother in Scarborough.

Matriarch Annie Sugden (Sheila Mercier). Her strength finally crumbled in 1989, and she found herself developing a dependency on tranquillisers. Recovering, she faced new heartache - businessman Denis Rigg's underhand attempts to buy the farm, and then the death of her grandson, Jackie.

Archie Brooks (Tony Pitts) - first turned up clutching a ghetto blaster and sporting a hairdo rather like David Sylvian's, of synth pop group Japan, in November 1983. He sported a very natty alphabet jumper for the knitting book in 1989, and temporarily departed from Beckindale in November to live with his mum when the old outbuilding he called home became too draughty.

1983: Computers At NY Estates And Seth Armstrong's First Name...

Seth Armstrong "entertains" on the piano at the 1983 Beckindale Christmas Show.

In the summer of 1983, changes were afoot at NY Estates in Beckindale. The company was going computerised and each of its holdings would have a computer installed which would be linked to head office. Alan Turner (Richard Thorp) discovered that his secretary's hours would be cut from full-time to three days a week because of this.

And that wasn't all.

NY were seeking to make redundancies of around 50%, over a period of time.

Barbara Peters (Rosie Kerslake), Alan's secretary, ensured that the workforce, via Seth Armstrong (Stan Richards), got a look at the redundancies list. Alan had already told union rep John Tuplin (Malcolm Raeburn) that he was on the list, but that he needn't be. As union rep, John was in a position to cause major disruption. If he went with the flow and enabled the redundancies to be made without undue hindrance, Alan would ensure that John's name was taken off the list.

John hated what Alan was suggesting, but he had a wife and children to support.

Seth discovered that his name was on the list.

Jackie Merrick (Ian Sharrock) was curious to discover that "Armstrong: A.S." was the name listed.

What did the "A" stand for, he queried?

"It were just a name I were given. All't eldest lads 'ad it. I were never called by it," said Seth.

"Well, what's it for, then?" persisted Jackie.

"Archibald," said Seth.

Jackie was highly amused.

Seth was too devastated at the prospect of losing his job to pay much heed.

The Beckindale shoot had been operating at a loss, and NY wanted to abolish it, but Alan moved to save it, also saving Seth's job as gamekeeper.

Funnily enough, 1983 seemed to be the year of Archibalds in Beckindale - with Seth's secret christian name coming out, and Archie Brooks (Tony Pitts) making his first appearance!

Archie - nice hair, shame about the name...

Roxy Music - Some Things Last Forever - At Least In Soapland...

Archie gets funky to Roxy in 1984.

Picture the scene: it's the late 1970s and Suzie Birchall and Gail Potter of Coronation Street are working at Mike Baldwin's fashion shop, The Western Front. Mike wanted teenage girls to staff the shop as he thought they would, hopefully, know what the punters were "in to".

Oddly, Gail and Suzie often used to play severely out-of-date music, like Roxy Music's early '70s stuff, in the shop. Not something I ever heard when Sue, my older cousin, dragged me around real fashion shops in the late '70s...

Picture the scene: it's the mid-1980s, the setting is Tarrant, home of the boating saga Howards' Way, and local teens, wearing very "trendy" ripped clothes are having a boogie... to early '70s Roxy Music. That never happened at any disco I attended back then! (Incidentally, they followed it by hoofing it up to mid-'80s Robert Palmer - PURLEASE!!)

Picture the scene: it's Howards' Way, a fashion shoot, and the background music is a Bryan Ferry track from the mid-1980s...

Picture the scene: it's Beckindale, December 1984, and Archie and the local teens are listening to a Roxy Music compilation LP, including early '70s groover Love Is The Drug, and 1980 sensation Midnight Hour.

Picture the scene: it's the next day at Emmerdale Farm and Jack Sugden is doing the farm accounts and listening to the radio, which just happens to be belting out Roxy Music's 1980 hit, The Same Old Scene.

Picture the scene, it's Tarrant again...

I won't go on. But Roxy Music and Bryan Ferry tracks seemed to crop up an awful lot in our '70s and '80s serials. Much as I love the group and Mr F, and aware as I am that the group and Bryan Ferry as a solo artist had chart hits from the early 1970s to the mid-1980s, they seemed to crop up more than was natural, particularly when it came to scenes involving teenagers - who might more realistically have been listening to The Fall or the latest synth epic.

I know there were copyright issues and Emmerdale Farm in the 1980s did make an effort to be modern, including snatches of Party Fears Two, Like To Get To Know You Well, various Sade hits, and Relax. I suppose Roxy/Bryan Ferry must have had an arrangement with UK telly producers which made their music an attractive proposition, but the band's back catalogue cropping up in two separate scenarios in one episode of Emmerdale Farm in 1984 did seem to be straining credibility more than a little!

"Ooh, Jack, not this bunch again - let's switch it off!"

Beckindale Youth - 1986

A schoolgirl in 1980, Sandie Merrick was apparently aged around thirty in 1986.

Was there ever a girl who was old before her time more than Sandie Merrick? The traumas she suffered - getting pregnant by Andy Longthorn at the age of eighteen, the loss of her mother when she was around twenty-one, and the beginnings of her affair with married builder Phil Pearce just afterwards prematurely turned her into a right old fogey. But not a very wise one as it turned out.

Even back in the caravan days of the early 1980s, Sandie seemed a stabilising influence on Pat and Jackie, almost a maternal influence herself. And, having become pregnant by Andy Longthorn in 1983, she was sensible about the baby after a brief period of going to pieces. She was a realistic character - Sandie had learned to be a coper because of her difficult childhood.

But her musical tastes were wildly inconsistent. Whilst Nick Bates taunted sister Kathy about having Bay City Rollers LPs when she was a little girl, Phil Pearce, chatting to Sandie on a cosy evening at Demdyke, harked back to some wonderful old R'n'B records a lad at the local Scout Hut had played him back in his own 1960s youth period - which had encouraged him and some of the other boys to form a short-lived band.

Sandie told Phil she went back as far as David Bowie and the late Bob Marley - which wasn't actually that far at the time as both had had major UK chart hits in the early 1980s. But these were both considered "serious" pop people and Sandie omitted to mention her "wild" times at the Vicarage (when the Rev Hinton was out) whooping it up to Shakin' Stevens with Jackie and Andy c. 1982.

Because of her attitude, her lack of teen/early twenty-something silliness, her world weariness, the fact that she preferred sitting in the Woolpack to night clubbing, I somehow got the feeling that Sandie was not referring to going back as far as Ashes To Ashes in 1980, but Bowie's debut with Space Oddity in 1969!

Sandie had no recollections to offer Phil of the 1970s 1950s-style pop idols in her not-so-dim and distant childhood either - no dewy-eyed recall of screeching at Alvin Stardust, Mud, the Rubettes, the Rollers or even Racey on Top Of The Pops. She wasn't even a Donny fan as a little 'un it seemed. She was terribly serious and out of her own age range.

I liked the character of Sandie, but there were times when I felt, as with many youthful characters in Emmerdale Farm and Coronation Street in the 1970s and 1980s, that the performer behind the character should have been a little more similar in age and/or the writers should have been a little more aware of current trends. Jane Hutcheson was somewhat older than the character she portrayed and often Sandie seemed of a similar age.

I was a contemporary of the Sandie Merrick character, as was my peer group at the time, and it was a lot more fun going out to "Nite Spots" and dancing to the likes of Noo Shooz and the Pet Shop Boys than sitting in Demdyke Row wittering on about David Bowie with somebody else's spouse who also happened to be at least ten years your senior.

Silly Sandie!

Mind you, the character Rosemary Kendall, who moped around the farm for a while in the '70s, seemed even more out of date.

In the 1980s, Archie Brooks - the lovely layabout with the off-beat '80s dress-sense, constantly proclaiming his strong (Old Labour) Socialist principles, was a Beckindale character I recognised from real-life people around me. Archie was very cutting edge for a soap.

So, as far as Emmerdale Farm's representation of youth was concerned, all in all, things were certainly looking up in the '80s.

It beat the teens-written-by-forty-somethings inhabiting Coronation Street during that era hollow.

But if only Sandie hadn't gone from eighteen to thirty in about a year.

When she became involved with Phil Pearce I felt that the character lost all credibility, any commonsense she had possessed had completely gone to the wall, and she was now just a vehicle for a cheap storyline. Onscreen, it seemed that Sandie was simply courting trouble for the sake of it, the storyline felt manufactured (rather like the relationship between Joe and Karen Moore earlier in the year) simply to plug gaps in the air time.

With Sandie we now had the worst of both worlds. Her character was flat and too mature for her age, yet she had a childish lack of sense when it came to romance.

It was a shame that Sandie was used in this way. If the production team had thought things through just a little more, I'm convinced that the character could have become one of the strongest in the show.

And I would have loved to have seen her bopping to Opportunities - Let's Make Lots Of Money in deelyboppers and shoulder pads at Blimps Nite Spot in Hotten.

Just once.

Down with Thatcher! Down with capitalism! No Nukes! Archie Brooks (Tony Pitts)- '80s activist and layabout, was an inspired creation. He's seen here with the enjoyably stroppy and clumsy Jackie Merrick and smoothy boy Terence Turner in 1985.

Remember '88?

Archie Brooks has a surprise for some friends and it's Mrs Bates last day as Alan Turner's secretary - TV Times, 21 January, 1988.

Amos and Mr Wilks square up...

... for the battle of beers - 3 March, 1988. Does anybody have details of these episodes? I'd love to know more!

Archie Brooks - '80s Man Activist

Archie's caravan was destroyed by Nick Bates in the Emmerdale Farm tractor. YIPIS stood for "Yorkshire Independence Party And International Socialists".

An e-mail from Carol...

The best Emmerdale Farm character in the 1980s was Archie Brooks, played by Tony Pitts. He was politically aware and a bit of an activist - highly involved in the anti-nuclear protests of 1987, and an "80s Man" or "New Man" too. He was determinedly non-sexist and in the early '90s helped Nick care for baby Alice.

He reflected the concerns of a lot of young people in the '80s and was a breed of youngster that was involved and politically active. It's absolute trash the way people try to dismiss the '80s as being simply greedy. They were a very polarised and turbulent era. These days, of course, apathy rules and youngsters would rather have an ipod than social/political justice, and insist they are far more caring than '80s youngsters whilst doing nothing to justify it.

Please can you do a write-up of one of Emmerdale's most original and true-to-life characters, who truly reflected the era he lived in?

It was fitting that the character was killed off when the show turned completely stupid and insensitive with the plane crash of December 1993.

I agree that Archie, who made his debut in November 1983, was a great character, Carol, he was a huge favourite of mine - and yes, there were a lot of Archies around in the 1980s. A very well-written and acted character. A quote from Emmerdale Farm - The Official Companion by James Ferguson, 1988:

The realistic behaviour and speech which Tony uses is based upon his own twenty-one-old brother, who is chairman of the Socialist Workers' Party in Sheffield.

The character is nowadays too often overlooked. Thanks for writing!

From the Sun, January 1983. Read more about the '80s/New Man here.

1987 - A Vintage Year...

From the TV Times, 18-24 April 1987. A great year for Emmerdale Farm with the famous storyline about a proposed nuclear waste dump near the village. Excellent. Modern day soap opera doesn't go near issues like this, but in the 1980s the genre broke new ground and the nuclear storyline was a proud moment in the history of Emmerdale Farm.

Protester Jack Sugden (Clive Hornby) was arrested and the scene where the villagers gathered as the church bell tolled chilled my blood. First class drama.

Plans for the dump were abandoned.

And to add to the rich storyline brew, there was Eric Pollard, who had arrived on the scene in 1986 and was causing quite a lot of disruption in 1987...

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Actor Christopher Chittell knew he was doing a good job as hard, vengeful Eric Pollard in "Emmerdale Farm" when his mother-in-law started calling him less than complimentary names. Pollard has lost his job as auctioneer at Hotton Market for allegedly having his hand in the till. He blames Sandie Merrick (Jane Hutcheson) for telling Joe Sugden (Frazer Hines) that he was a crook.

.

Says Chittell: "Pollard becomes very poisonous indeed. He's a Jekyll-and-Hyde character, and can become lunatic in his Hyde mood. I went home to Newark the other day and my mother-in-law called me a swine. My wife, Caroline, and two children, Benjamin and Rebecca, have just moved near her from Dartmouth. Now, because of Pollard, she's suggesting we move back again."