1989: Beckindale Gets Knitting - Again...

1989... the year Tim Berners-Lee invented the World Wide Web, the Berlin Wall came down, Acid House Raves rocked youth culture, Sky TV was launched and, over in America, Game Boy arrived...

And the year also brought a new knitting book from Emmerdale Farm, the first since 1983. Out came the needles across the land.

On the cover were Kate (Sally Knyvette) and Joe (Frazer Hines) Sugden. After a stormy relationship, they tied the knot in '89, but married life was not to be peaceful as Kate found her organic venture at Crossgill beset by slugs, and her daughter, Rachel (Glenda McKay) tumbled into an affair with married Pete Whiteley (Jim Millea).

A traumatic year for Dolly (Jean Rogers) and son Sam Skilbeck (Benjamin Whitehead), also on the knitting book cover, as the Skilbeck marriage finally broke up. For Amos Brearly (Ronald Magill) there was irritation as Mr Wilks (Arthur Pentelow) developed hay fever and sneezed his way through the summer...

Evolution not revolution was the apparent intention of Emmerdale Farm producer Stuart Doughty, the man from Brookside, featured in the knitting book wearing a charming jumper. He took the producer's chair in 1988. His reign saw tense drama in Beckindale in 1989, and the arrival of the Tate family at Home Farm in November of that year.

1989 also saw the deletion of the word "Farm" from the show's title, as Doughty decided to begin dropping some of the farming content - and to reflect the fact that a lot of the show was not actually about the farm.

From a temporary bit-part in 1978, to full-time character status in 1980, Seth Armstrong (Stan Richards) spent quite a lot of 1989 baiting Amos Brearly. Situation normal.

Kathy Merrick (Malandra Burrows) - looking charming in a lovely '80s cardie. The poor girl faced the tragic loss of her husband, Jackie (Ian Sharrock) in 1989 - he accidentally shot himself whilst hunting a troublesome fox.

Amos and Mr Wilks - a stormy year at The Woolpack as Amos realised just how irritating Mr Wilks was (!!!!). He told Seth: "I cannot understand why I've never noticed before, he's got more irritating habits than anyone I've ever known - including you, Seth Armstrong!"

Matt Skilbeck (Frederick Pyne) - lovely cardie, but 1989 had it in for the man. His marriage to Dolly was at an end. Frederick Pyne recorded Matt's last scenes in November, and Matt was last seen on-screen in December.

Caroline Bates (Diana Davies) arrived as a temp secretary at NY Estates in 1984. She soon became permanent. Since his arrival in 1982, Alan Turner (Richard Thorp) had been making a proper pig's ear of things on the estate, and Mrs Bates was his saviour. Romance developed and, in 1989, the two planned to wed. But things didn't work out, and Mrs Bates left Beckindale, in tears, in November to look after her ailing mother in Scarborough.

Matriarch Annie Sugden (Sheila Mercier). Her strength finally crumbled in 1989, and she found herself developing a dependency on tranquillisers. Recovering, she faced new heartache - businessman Denis Rigg's underhand attempts to buy the farm, and then the death of her grandson, Jackie.

Archie Brooks (Tony Pitts) - first turned up clutching a ghetto blaster and sporting a hairdo rather like David Sylvian's, of synth pop group Japan, in November 1983. He sported a very natty alphabet jumper for the knitting book in 1989, and temporarily departed from Beckindale in November to live with his mum when the old outbuilding he called home became too draughty.

Richard Handford And Stuart Doughty - Two Producers Of 1980s Emmerdale Farm

The producers of Emmerdale Farm in the 1980s were as follows:

Anne W. Gibbons (1979 to 1983)

Richard Handford (1983 to 1986)

Michael Russell (1986 to 1988)

Stuart Doughty (1988 to 1991)

Here we present the views of two Emmerdale Farm producers of the 1980s - Richard Handford is first, in an article from the Yorkshire Evening Post 1985 supplement, Emmerdale Farm 1,000!

IT’S NOT A SOAP OPERA IT’S DRAMA - SAYS THE PRODUCER

“Emmerdale Farm” is more than just another time-consuming soap opera. Ever since its conception by time-honoured writer Kevin Laffan, the series has had a message to give to its millions of fans.

That message, says producer Richard Handford, latest in 13 years to wear the mantle, is that it should always be “warm and caring.”

“Most of the characters,” he says, “adhere to moral values. And it’s bound to stay that way.”

Richard, who read English at Cambridge and spent nearly every night at the cinema, is the sixth producer of “Emmerdale” and has been responsible for 200 of the 1,000 episodes.

He admits that there has been a hardening of the storylines from the cosy fireside yarns and sheep shearing shots that introduced Beckindale to a nation obviously gasping for a breath of fresh country air.

“At one time everybody was good,” he says. “Now we are challenging traditional values.”

Challenging these values has meant introducing such modern traits which obviously effect both urban and rural communities, as extra-marital affairs. The sort of thing that makes Annie Sugden clank her pans on the solid-fuel kitchen range.

But it’s only done to reflect life as it really is, Richard insists.

“I don’t do it to pull in viewers,” he says. “Jack’s affair was a good story that we could deal with well. And I wanted to show that life isn’t all that easy

“It can happen to anyone. It’s just that some of us are lucky, but we can’t hide away from the fact that some aren’t.”

Jack’s little romp - a great departure for the clean-cut Sugdens - surprised the “Emmerdale” team by bringing “very few” compaints. “I think there were about twelve,” Richard recalls.

The changes in modern values must come through in the programme, he says. “For instance, nobody now expects their children to be virtous until marriage.

“Annie, who sets ther moral tone for her family, has had to be challenged with these problems.”

When Richard looks to the future, he says it would be impossible to predict what’s going to happen In the next 1,000 episodes. “Why change the tone for the sake of it,” he says.

But one thing is certain. It will always be a happy programme.

“It always has been, both on and off the set,” says Richard. “It shows in the way the artistes keep coming back for more.”

“People will bust a gut for the programme. They really believe in it, seriously and passionately.
“We’re not a soap opera. We believe we’re a long-running drama.”

And on to Stuart Doughty - an article from the Hotten Courier, Yorkshire Television's Emmerdale Farm programme publicity, summer 1988:

No big shake-up says the farm’s new boss

Former “Brookside” producer Stuart Doughty has crossed the Pennines to join Yorkshire Television’s top serial, “Emmerdale Farm”.

But Stuart, who took over the reins in January, has no wish to turn life down on the farm into a “rural ‘Brookside’”.

“I haven’t any plans to urbanise it and fill ‘Emmerdale’ full of social problems,” says Stuart.

During his two-and-a-half-year spell on the Channel 4 series, set in Liverpool, storylines included a fatal gun siege, rape, suicide and the first AIDS sufferer in a British soap.

But, though he won’t radically alter the formula that has made “Emmerdale Farm” a TV favourite, with a regular 12 million viewers per episode, Stuart admits he doesn’t want to see things standing still.

He sees the future as one of evolution rather than revolution. “Any serial has got to move with the times. If it stops it will become old-fashioned and out of touch with its viewers,” he says.

“Soaps must reflect life. They have to keep in touch with real life, otherwise viewers regard them as fantasy.”

He certainly believes it would be wrong for British soaps to become as escapist as “Dallas” or “Dynasty”, in which the characters are unbelievably rich and beautiful.

“British soaps tend to portray ordinary people in everyday situations,” he says.

Stuart, 38, has a varied broadcasting background. After university, he joined the BBC’s Overseas Service.

Then, after a brief spell as an actor - when he worked with Andrew Burt, who played the original Jack Sugden - he began supplying quiz questions for “University Challenge”.

This eventually led to a job with Granada as a researcher.

Moving on, Stuart became an associate producer at Granada, responsible for dramas like “Crown Court”, “A Kind Of Loving” and “The Adventures Of Sherlock Holmes”. In 1985, he went to Mersey Television to become Bookside’s producer.

Now, Stuart believes he’s the first soap producer to make the move from one serial to another.