The Gresh

Now, just who or what is "The Gresh"?

Ask many actors and actresses from the TV world of the 1960s, 1970s, 1980s and beyond and they will not hesitate to tell you - "The Gresh" is Carl Gresham, himself an actor and radio presenter, Carl ran his own agency - Greshstyle Personal Appearances - for many years. It was Carl who brought many favourite stars of TV and radio to meet the public at various "Grand Openings", fetes, etc, organising everything himself, from fees and transport to the production of photographs of the individual stars - "Greshpics" as they were called.

And WHAT names he brought to meet us at various locations!

Remember the "Shut That Door!" man, Larry Grayson? Sparkling comedy duo, Morecambe and Wise? The lady behind Mrs Ena Sharples, Violet Carson? The lady behind Mrs Elsie Tanner, Pat Phoenix? The very lovely Alexandra Bastedo of The Champions? Radio legend Tony Blackburn? The man who brought a generation of children lots of Record Breakers, Roy Castle? Our traveller abroad, Judith Chalmers? Purveyor of the Diddymen, Ken Dodd? Grandad and Dad's Army legend, Clive Dunn? "Ooh, you are awful!", Dick Emery? TV legend of many decades, Bruce Forsyth? The very zany Goodies? "Diddy" David Hamilton? Mr Opportunity Knocks ("And I mean that most sincerely, folks!"), Hughie Green? "I'm free!" John Inman? Mr Hudson, the best butler in Mayfair, Gordon Jackson? The comically warring Mildred and George Roper, Yootha Joyce and Brian Murphy? Quick witted comedian and telly legend, Bob Monkhouse? Radio's very own Mr "Open House", Pete Murray? Dr Who and Worzel Gummidge star, Jon Pertwee? 1960s and '70s TV star and fashion icon, Peter Wyngarde? The man from the JY Prog, Jimmy Young? Well, The Gresh booked them all and many more, and his book, THE GRESH - A Lifetime in Show-Biz, contains many fascinating anecdotes about these much-loved stars.

The Gresh and Hughie Green - remember the days of the old Clappometer?

Who gave David Hamilton his "Diddy" nickname? Why was Margot Bryant (Minnie Caldwell of Coronation Street) concerned about her clothes on a public appearance? Which famous star gave a free rendition of his cabaret act on the platform at Leeds railway station when the train was delayed? It's all in the book - a lovely relaxing read, and wonderfully nostalgic.

Larking about with Emmerdale Farm and Dr Who legend Frazer Hines.

For us Beckindale fans, The Gresh brought several of our favourites to meet us, the public, over the years - including Frazer Hines - remember "our Joe", his long quest to meet Miss Right, only to keep meeting Miss Wrong, and his "upwardly mobile" career at NY Estates in the 1980s? "The Gresh" is still firm friends with Frazer. When the character of Joe was killed off in the 1990s, many of us thought the decision absolutely barking mad and the character, one of the first penned by series creator Kevin Laffan, is sadly missed to this day.

"The Gresh" also brought us our favourite soap pub landlords - Amos Brearly (Ronald Magill) and Henry Wilks (Arthur Pentelow), a fabulous pairing, friends and business partners, who were on tap at The Woolpack from 1973, right through the 1980s (which was Amos's golden era), until 1991! Have they been forgotten? "Nay, nay, nay, Mr Wilks!"

Amongst our other Emmerdale Farm favourites, "The Gresh" brought Sheila Mercier, the legendary Annie Sugden to meet us, Frederick Pyne, our much-loved gentle shepherd Matt Skilbeck, and new stars of the 1980s Clive Hornby and Jean Rogers, who stepped into the roles of Jack Sugden and Dolly Skilbeck, and made them their own.

As well as booking the stars for us to meet, Carl has also been a broadcaster, disc jockey, presenter, musicologist and actor. He appeared in episode 298 of Coronation Street in 1963, as a cycling club friend of Jerry Booth called Harrier. Reproduced in the book is a copy of Carl's contract for that appearance, which makes for fascinating reading!

Dear old Jerry Booth (Graham Haberfield) was a keen member of the local cycling club in the early 1960s. Spot "The Gresh" - he's standing on the far right of this photo.

The Gresh with Coronation Street legend Pat Phoenix.

THE GRESH - A Lifetime in Show-Biz - is a lovely relaxing read, bringing back memories of many favourite stars, and providing some fascinating insights. I polished it off in three sessions, and can tell you it was a real "feel good" experience, an excellent choice for anybody who remembers the TV and radio golden days of the '60s, '70s and '80s, and who has ever queued up for the pleasure of shaking hands with a favourite star and gaining a cherished autograph at public appearances.

For details of how to obtain a copy, and lots more Gresh-style fun and nostalgia, check out Carl's own web site, here - www.carlgresham.co.uk

Still bringing the stars closer to the public, Carl now has his own show on Bradford Community Broadcasting - he's seen here with much-loved comedy duo Cannon & Ball - Rock On, Tommy! For more details about The Gresh on the radio click here -

http://www.bcbradio.co.uk/details.php?details=197

Emmerdale Farm: 1980 Was Slightly Delayed...

The path out of the grim 1970s into the turbulent 1980s was not easy for Emmerdale Farm. Annie Sugden (Sheila Mercier) bridged the gap with a voice-over.

Beginning the 1980s was not exactly straightforward for Emmerdale Farm.

The ITV strike of 1979 had disrupted episode broadcasts and recordings. The show had last aired on 5 July 1979 (Emmerdale Farm was not shown all year round in those days) and several episodes for the next 1979 season, due to begin around early September, were in preparation, when the strike knocked ITV off our screens.

The strike severely disrupted Emmerdale Farm, and the show was off-air until the 8th, 9th or 10th of January 1980 (depending on which ITV region you viewed it in!).

The publicity blurb for the first 1980 episode revealed the ITV regions' differing schedules:

FULL ITV NETWORK (except STV/WTV/CHA) Tuesday, JANUARY 8, 1980.

STV Wednesday, JANUARY 9, 1980

WTV/CHA Thursday, January 10, 1980 } times vary

The production team was able to adapt, complete and use six episodes originally intended for the 1979 late summer/early autumn season to begin 1980.

The problem was that story-lines and exterior scenes clearly reflected the fact that it was summer. And the production team could not pretend that the late summer-themed shows intended for 1979 were actually set in the winter of 1980.

So, a little ingenuity was needed.

At the start of the January 1980 season, Annie Sugden (Sheila Mercier) introduced the first episode in a voice-over, reflecting on the events of the previous summer, and over the next few weeks we saw six episodes which filled us in on some of the Beckindale events of 1979 that we'd missed courtesy of the ITV strike.

The synopsis for that first episode shown in 1980 read:

It's winter at Emmerdale, but Annie finds herself thinking back to last Summer. It was a busy time at the farm with new land to work and prospects looked bright for the Sugdens. But there was a shock in store for all of them - especially Matt.

On 29 January 1980, the Emmerdale Farm story-line suddenly moved into 1980, with Annie, again in voice-over, informing us of relevant events of the missing months.

The synopsis for the first episode actually set in 1980 read:

It is winter at Emmerdale and Sam Pearson is causing disruption with his renewed interest in wine making. But N.Y Estates shepherd Jesse Gillin discovers another kind of disruption - and it's a threat to the whole landscape of Beckindale.

All-in-all, the "what we did last summer" strand worked very well indeed, cheering up most of January 1980 (Emmerdale Farm closely reflected the seasons and winter episodes could seem grim), filling us in on some missed stories, and giving the production team time to work on fresh episodes for the new decade.

Richard Handford And Stuart Doughty - Two Producers Of 1980s Emmerdale Farm

The producers of Emmerdale Farm in the 1980s were as follows:

Anne W. Gibbons (1979 to 1983)

Richard Handford (1983 to 1986)

Michael Russell (1986 to 1988)

Stuart Doughty (1988 to 1991)

Here we present the views of two Emmerdale Farm producers of the 1980s - Richard Handford is first, in an article from the Yorkshire Evening Post 1985 supplement, Emmerdale Farm 1,000!

IT’S NOT A SOAP OPERA IT’S DRAMA - SAYS THE PRODUCER

“Emmerdale Farm” is more than just another time-consuming soap opera. Ever since its conception by time-honoured writer Kevin Laffan, the series has had a message to give to its millions of fans.

That message, says producer Richard Handford, latest in 13 years to wear the mantle, is that it should always be “warm and caring.”

“Most of the characters,” he says, “adhere to moral values. And it’s bound to stay that way.”

Richard, who read English at Cambridge and spent nearly every night at the cinema, is the sixth producer of “Emmerdale” and has been responsible for 200 of the 1,000 episodes.

He admits that there has been a hardening of the storylines from the cosy fireside yarns and sheep shearing shots that introduced Beckindale to a nation obviously gasping for a breath of fresh country air.

“At one time everybody was good,” he says. “Now we are challenging traditional values.”

Challenging these values has meant introducing such modern traits which obviously effect both urban and rural communities, as extra-marital affairs. The sort of thing that makes Annie Sugden clank her pans on the solid-fuel kitchen range.

But it’s only done to reflect life as it really is, Richard insists.

“I don’t do it to pull in viewers,” he says. “Jack’s affair was a good story that we could deal with well. And I wanted to show that life isn’t all that easy

“It can happen to anyone. It’s just that some of us are lucky, but we can’t hide away from the fact that some aren’t.”

Jack’s little romp - a great departure for the clean-cut Sugdens - surprised the “Emmerdale” team by bringing “very few” compaints. “I think there were about twelve,” Richard recalls.

The changes in modern values must come through in the programme, he says. “For instance, nobody now expects their children to be virtous until marriage.

“Annie, who sets ther moral tone for her family, has had to be challenged with these problems.”

When Richard looks to the future, he says it would be impossible to predict what’s going to happen In the next 1,000 episodes. “Why change the tone for the sake of it,” he says.

But one thing is certain. It will always be a happy programme.

“It always has been, both on and off the set,” says Richard. “It shows in the way the artistes keep coming back for more.”

“People will bust a gut for the programme. They really believe in it, seriously and passionately.
“We’re not a soap opera. We believe we’re a long-running drama.”

And on to Stuart Doughty - an article from the Hotten Courier, Yorkshire Television's Emmerdale Farm programme publicity, summer 1988:

No big shake-up says the farm’s new boss

Former “Brookside” producer Stuart Doughty has crossed the Pennines to join Yorkshire Television’s top serial, “Emmerdale Farm”.

But Stuart, who took over the reins in January, has no wish to turn life down on the farm into a “rural ‘Brookside’”.

“I haven’t any plans to urbanise it and fill ‘Emmerdale’ full of social problems,” says Stuart.

During his two-and-a-half-year spell on the Channel 4 series, set in Liverpool, storylines included a fatal gun siege, rape, suicide and the first AIDS sufferer in a British soap.

But, though he won’t radically alter the formula that has made “Emmerdale Farm” a TV favourite, with a regular 12 million viewers per episode, Stuart admits he doesn’t want to see things standing still.

He sees the future as one of evolution rather than revolution. “Any serial has got to move with the times. If it stops it will become old-fashioned and out of touch with its viewers,” he says.

“Soaps must reflect life. They have to keep in touch with real life, otherwise viewers regard them as fantasy.”

He certainly believes it would be wrong for British soaps to become as escapist as “Dallas” or “Dynasty”, in which the characters are unbelievably rich and beautiful.

“British soaps tend to portray ordinary people in everyday situations,” he says.

Stuart, 38, has a varied broadcasting background. After university, he joined the BBC’s Overseas Service.

Then, after a brief spell as an actor - when he worked with Andrew Burt, who played the original Jack Sugden - he began supplying quiz questions for “University Challenge”.

This eventually led to a job with Granada as a researcher.

Moving on, Stuart became an associate producer at Granada, responsible for dramas like “Crown Court”, “A Kind Of Loving” and “The Adventures Of Sherlock Holmes”. In 1985, he went to Mersey Television to become Bookside’s producer.

Now, Stuart believes he’s the first soap producer to make the move from one serial to another.