Beckindale 1983 - Behind The Scenes...

I know several actors, and, for the majority, it's a funny old life. There they are, one month serving in a wine bar or doing a Christmas temp job at Boots, the next doing a bit-part in Emmerdale, the next "resting", the next auditioning for a stage play and probably not getting the part...

Of course, for many actors a regular role in a long-running soap is a dream (and for some, given current standards of a lot of the plots, it's also a nightmare), but back in the 1980s it was a funny old life working on Emmerdale Farm or Coronation Street or whatever. Today, much soap drama depends on the out of the ordinary, the bizarre, the downright absurd, but back in the 1980s the majority of soap action centred on people nattering about, and doing, everyday things.

And that must have been exceedingly difficult to convey with a load of technical paraphernalia all around, plus being watched and directed by a load of people the actors had to pretend didn't exist.

Here's Jean Rogers (Dolly Skilbeck since 1980), Sheila Mercier (Annie Sugden since episode one), Toke Townley (Grandad Sam Pearson since episode one) and Frederick Pyne and Frazer Hines (Matt Skilbeck and Joe Sugden - both original cast members) standing around in the rain at a Beckindale event in 1983, with little Sam Skilbeck (born 1982) out of vision, apparently asleep in his pram.

Annie's plastic headscarf (14p from Woolies - a snip!) is such an important style detail in setting the tone.

Just how "everyday" and of their time the cast looks, and the fact that they are conversing in character, apparently oblivious of the onlookers and the sound boom hovering above, is something I find fascinating.

Skill, or what?

1985: The Harvest, The Robbery, The Marriage Break-Up, The Royal Connection...

Harry Mowlam established an alibi at The Woolpack in 1985.

Here's some highlights from four 1985 episodes - comedy, sadness, high drama, farming, mundane moments...

On hearing that Henry, Prince of Wales, visited Beckindale in 1420, and that his servants stayed at a local coaching inn, Amos becomes convinced that the inn was the Woolpack: "You can see him now, can't yer? The Prince of Wales on his armour plated steed, outside these premises, calling to his merry men: 'We few! We happy band of brothers! We'll stop here. I know the premier licensed house in't district when I see it!' Oh, it fills you with pride, don't it, Mr Wilks?"

Whilst Amos drives everybody mad with that little scenario, Jack, Matt and Jackie are in a race against time to get the harvest in at Emmerdale Farm as the weather forecast says rain. It had been Jack's idea to get the harvest in late, and he works through the night, with Jackie Merrick and Matt Skilbeck working shifts alongside him.

Things are going well, when, the next day, Matt and Jack discover that Harry Mowlam has blocked their right of way up to the top twenty acres with stone from a wall he is repairing. Harry refuses to shift the stone - walling is skilled work, the repairs could take two weeks, he says, gloatingly. Jack gives him three hours to shift the stone, or he'll contact the law.

Jack is furious and wants to phone his solicitor as soon as he returns to the farm house. Annie tells him, "No", and is convinced that Jack has contributed to the bad feeling with Harry. Sadly, she doesn't know Harry! She tells Jack to get some sleep and check out the situation in a couple of hours - Harry may have moved the stones by then.

When Jack comes yawning downstairs later, a storm breaks and the rain pours down. Jack is beside himself with fury and stands in the rain shouting: "Damn you, Mowlam, DAMN YOU!!"

Next day, Emmerdale Farm LTD counts the cost of the lost harvest - six thousand pounds. Annie disagrees with Jack that the whole incident was Harry's fault, and points out that it was him that insisted on a late harvest.

Harry Mowlam visits the Woolpack with Derek Warner, a villainous ex-associate of Tom Merrick, and another man - a stranger to the district. The three men arouse Amos's suspicions, and he says he'd love to know what they are talking about! When Matt and Jack come in, a row erupts over the blocked right of way.

When Harry returns to his two friends at the table, Derek advises firmly that Harry should play the good neighbour. After all, they don't want the law on the scene. Harry agrees and tells Jack he'll clear the stone right away - and he'll have no further trouble. Jack comments bitterly: "It's too late now, anyway!" But Harry bustles off. He later tells Amos that God punished Jack for taking risks with late harvesting by sending the rain.

Annie exchanges sharp words with Jack, convinced that he's being unfair to Harry Mowlam. She says that perhaps Harry moved the stones because he'd decided it was better to try and get along with people. She says she's lived at the farm for forty years and seen worse neighbours than Harry. She talks of the days when she was a girl and neighbours were good to each other. The Sugdens had not always been good neighbours, particularly in Jacob's time. But there wasn't all this talk of bringing in the law and the farmers' union. Most neighbours tried to help each other. Clifford Longthorn's father often took care of the Sugdens' stock when Jacob was drinking.

Annie is pleased to receive a letter from Joe in France and is replying when Jack enters the kitchen to make his peace over their difference of opinion. She confesses that she's ageing - it takes her longer to do things these days - and that she can't understand why the family has so many disagreements. Jack says it was always so. Annie agrees: "Maybe it's me that's changed!" But she bangs her fist on the table, and states firmly that she will not be ignored! Jack hugs her, tells her that would be impossible, makes them a pot of tea and reads Joe's letter.

Sandie Merrick leaves Emmerdale Farm for work that morning and goes across the fields to catch the bus from the Connelton Road. Derek Warner and two associates are laying in wait there, to rob the security van bringing the wages for the NY Estates men to Home Farm.

At The Woolpack, Walter and Harry Mowlam are waiting outside when the pub opens. Harry seems in a very mellow mood, and tells Amos he has plenty of time to wait when the barrel needs changing before he can have a pint. Harry is setting up an alibi - Amos, Henry and Walter will become witnesses to his position when the raid takes place on the security van. He later goes to the table outside so that locals passing can see him there, quietly drinking his pint. He becomes even more noticeable when he harasses the vicar about his sermon last Sunday.

On the Connelton Road, Warner and associates, in stocking masks, ambush the van and threaten the drivers with gelignite unless they open the doors. The drivers do so and are quickly tethered. Horrified Sandie witnesses the scene from a field nearby, and is seen by Derek Warner, hurrying away.

Warner and co rob the van and then make off: "Sweet as a nut!" says Warner.

One of the security guards also witnessed Sandie hurrying away and tells Sergeant McArthur. McArthur is concerned and hopes he can find the person before the robbers do.

From the Hotten Courier, 1985.

Alan Turner is concerned that he is unable to pay the men at NY. He gives Seth a cheque, and Seth is horrified, always having dealt in cash. Henry comes to his rescue by cashing it.

Amos blames Seth when the Beckindale Horticultural Society hits financial difficulties and decides there will be no 1985 show. Seth decides to set up "The Seth Armstrong Horticultural Show" and get the vicar, Donald Hinton, to judge it. He tells Amos it's "five quid" to enter - but advises him not to bother - "you won't win owt!"

Amos decides to set up "The Amos Brearly Horticultural Show" on the same day as Seth's show, and get the vicar to judge that, too. Bitter rivalry erupts between the two old enemies.

Seth Armstrong is annoyed when Amos goes into competition with him, Mr Wilks is bothered by Amos's obsession with a possible link between The Woopack and royalty, Walter sees all, hears all, says nowt.

Mrs Bates tells Alan Turner that her marriage is over. Malcolm is seeing another woman. He has told her that he always thought that their marriage was a sham, and was only staying until the children grew up. "He won't leave me, so I'm leaving him!"

Mrs Bates admits that her marriage was not perfect, but she is stunned by recent developments. She's taking her teenage children to stay with her sister in Richmond.

Alan tells Terence that he is worried about Mrs Bates - "She's a good sort" - and he likes his staff to feel that they can take their problems to him. Terence advises Alan to allocate Mrs Bates an NY Estates cottage. Alan agrees it is a good idea. Terence cynically comments that women of Mrs Bates's age are usually grateful.

Alan tells her Mrs Bates that NY Estates has a slightly run-down cottage in Main Street, Beckindale, where she could live. He would charge her a cheap rent of £30 or so a month. Mrs Bates is pleased.

Pregnant Dolly Skilbeck is suffering from morning sickness. When Mrs Bulstrode tells the vicar that Nellie Ratcliffe's flowers always get a better position in churtch than hers, and refuses to lead the Sunday school any more, Donald asks Dolly to help out for a few weeks. Dolly happily agrees, but Matt is concerned that she's overdoing things. Dolly tells him it's only an hour a week for about four weeks, and her friend Liz McDonald is going to help her.

Meanwhile, Jackie Merrick meets his Indian girlfriend Sita's father. Dr Sharma is not impressed with Jackie and tells Sita that Jackie is: "An English boy without great prospects and little education." He refuses to meet Jackie's family. Sita is upset, but her father tells her to think about the situation. Sita replies: "I HAVE thought about it!"

Jackie and Sita discover opposition to their wedding plans.

When Sandie gets home, she finds Jack tinkering with a farm vehicle in the yard. "Eventful day?" he asks her. She replies that it was all right, and makes her way towards the farmhouse, looking terrified...

Sheila Mercier - Living With Fame

Sheila Mercier as Annie Sugden, matriarch of "Emmerdale Farm", in the 1980s.

An early signed publicity photograph.

From the Daily Mirror, May 23, 1985:

Sheila Mercier, who plays the head of the farming household, Annie Sugden, has been the female anchor of the show since the first episode.

But she has mixed feelings about the programme.

She is delighted with its success, and it has given her a secure living for the past twelve years. "But," says Sheila, "it has completely mucked up my home life. I missed out on my son Nigel's formative years."

"The worst thing is that when you're out people grab you and try to kiss you. It's dreadful. I try to be as remote as possible."

1989: Kim Tate Arrives...

Seth Armstrong (Stan Richards) was, of course, always a kindly, helpful soul. On meeting a newcomer to the village on horseback one day in December 1989, he noted the "posh" way she spoke, noted she was a stranger to the area, noted she was seeking directions to Home Farm, and decided to have some fun.

The newcomer on horseback was Mrs Kim Tate (Claire King), wife of the new owner of Home Farm, Frank Tate (Norman Bowler). Mrs Tate had set out from Skipdale on a bet with step-daughter, Zoe (Leah Bracknell). The two would both try and reach their new home at Home Farm on horseback, and who ever won the bet would get a quid.

Seth described a very circuitous route to Home Farm, all up hill and down dale...

He was laughing about his trick to Bill Whiteley (Teddy Turner) later in The Woolpack, reckoning that Mrs Tate would probably be halfway to Harrogate by now, when a voice from just behind him stated firmly: "Oh no I'm not!"

And there was Kim, on her first but certainly not last visit to The Woolpack Inn.

Kim was not amused by Seth's mischief. Her horse was exhausted by its hard ride over the surrounding countryside.

Mine host Amos Brearly (Ronald Magill) had discovered he had bats in the attic in 1980. In 1989, he had bats in the belfry. Who else but '80s Amos could have dreamt up the idea of turning Dracula into a pantomime? And who else could write such dialogue as: "Fee fo fi fum, me thinks I'll drink the blood of an Englishman" for Dracula to say?

Taking a break from his epic work, Amos emerged into the bar to discover Henry Wilks (Arthur Pentelow) and Dolly Skilbeck (Jean Rogers) hard at work, and a strange woman standing on the public side of the bar with Seth and Bill. And not only that but a strange woman who had left a horse on his forecourt. Horses were not allowed on The Woolpack forecourt!

"Mr Wilks - fetch the shovel!" yelped Amos, hurrying outside.

Henry ushered Kim outside, where Amos let her have it - both barrels - she must remove the horse forthwith!

"Horses are not allowed on Woolpack property under any circumstances whatsoever!"

Zoe had caught up with Kim, and the two women rode off together.

Henry then informed Amos that these woman were two members of the new family at Home Farm.

Amos was horrified. He wanted to keep in well with the local "gentry" - and besides that he'd already met Frank Tate and he was financing Dracula!

"Ladies! Ladies!" whined Amos, but it was too late - Kim and Zoe continued on their way.

Kim's next port of call was Emmerdale Farm, where she tethered her horse in the farmyard and knocked at the farmhouse door. Giving barely a few seconds for her knock to be answered, she set off to search for the farm owner.

A moment later, Annie Sugden (Sheila Mercier) emerged and was surprised to find no sign of a visitor, but a horse in the yard...

Kim came across Joe Sugden (Frazer Hines) at work in an outbuilding.

"Excuse me, can you tell me where I can find the owner?"

"Who's asking?"

"Is anybody round here capable of answering a simple question?" Kim was getting annoyed.

"Tell you what, let's start again, eh?" said Joe.

Kim explained to Joe that her horse was exhausted, and that she was trying to get to Home Farm. Had Joe got a horse box?

No, replied Joe, but he could get one.

Thank goodness!" said Kim.

As Joe loaded the horse into the horse box, Annie re-emerged from the farmhouse.

"Were you the person who thumped on my door?"

"I knocked, yes, but there was nobody in," said Kim.

"Well there was actually," Annie was slightly cold. She told Kim that she had been working at the top of the house. "And when I got to the kitchen door, all I could see was a horse. Huh!"

And Annie went indoors again, clearly unimpressed.

This was Emmerdale episode 1411, broadcast on 12 December 1989.

And Kim's introduction to Beckindale.

The 1980s were coming to an end. But before the decade died, newcomers were arriving in Beckindale who would ensure life would never be the same again.

E-Mails...

A couple of outstanding e-mail enquiries - sorry it's taken me so long to reply...

Firstly, "Jack Sugden" asks:

Was Eric Pollard nice in the 1980s? Somehow I always remember the Emmerdale characters back then being nice!

I think the expression on Eric's face in the 1989 screen cap above answers that question, Jack!

Short answer is "No"!

Sara says:

Was it very sad when Matt left in December 1989?

Yes, it was. He told Dolly he still loved her. Annie said "God go with you," and broke down at their final parting. One of the saddest scenes for me was Matt standing alone in the living room of the extension cottage at Emmerdale Farm. He and Dolly had lived in the place since its creation in 1982.

I was so sorry to see Matt go.

Emmerdale Farm: 1980 Was Slightly Delayed...

The path out of the grim 1970s into the turbulent 1980s was not easy for Emmerdale Farm. Annie Sugden (Sheila Mercier) bridged the gap with a voice-over.

Beginning the 1980s was not exactly straightforward for Emmerdale Farm.

The ITV strike of 1979 had disrupted episode broadcasts and recordings. The show had last aired on 5 July 1979 (Emmerdale Farm was not shown all year round in those days) and several episodes for the next 1979 season, due to begin around early September, were in preparation, when the strike knocked ITV off our screens.

The strike severely disrupted Emmerdale Farm, and the show was off-air until the 8th, 9th or 10th of January 1980 (depending on which ITV region you viewed it in!).

The publicity blurb for the first 1980 episode revealed the ITV regions' differing schedules:

FULL ITV NETWORK (except STV/WTV/CHA) Tuesday, JANUARY 8, 1980.

STV Wednesday, JANUARY 9, 1980

WTV/CHA Thursday, January 10, 1980 } times vary

The production team was able to adapt, complete and use six episodes originally intended for the 1979 late summer/early autumn season to begin 1980.

The problem was that story-lines and exterior scenes clearly reflected the fact that it was summer. And the production team could not pretend that the late summer-themed shows intended for 1979 were actually set in the winter of 1980.

So, a little ingenuity was needed.

At the start of the January 1980 season, Annie Sugden (Sheila Mercier) introduced the first episode in a voice-over, reflecting on the events of the previous summer, and over the next few weeks we saw six episodes which filled us in on some of the Beckindale events of 1979 that we'd missed courtesy of the ITV strike.

The synopsis for that first episode shown in 1980 read:

It's winter at Emmerdale, but Annie finds herself thinking back to last Summer. It was a busy time at the farm with new land to work and prospects looked bright for the Sugdens. But there was a shock in store for all of them - especially Matt.

On 29 January 1980, the Emmerdale Farm story-line suddenly moved into 1980, with Annie, again in voice-over, informing us of relevant events of the missing months.

The synopsis for the first episode actually set in 1980 read:

It is winter at Emmerdale and Sam Pearson is causing disruption with his renewed interest in wine making. But N.Y Estates shepherd Jesse Gillin discovers another kind of disruption - and it's a threat to the whole landscape of Beckindale.

All-in-all, the "what we did last summer" strand worked very well indeed, cheering up most of January 1980 (Emmerdale Farm closely reflected the seasons and winter episodes could seem grim), filling us in on some missed stories, and giving the production team time to work on fresh episodes for the new decade.

Emmerdale 1989: Annie Sugden Goes Dancing, Amos Brearly Gets Into Crop Circles, Alan Turner Becomes Nick Kamen And Rachel Hughes Plays With Fire...

Here we take the time tunnel back to 1989 - a highly dramatic year which saw, amongst other things, the fall of the Berlin Wall and the invention of the World Wide Web, which would bring computers into all our lives in the 1990s.

Below are some extracts from an Emmerdale Farm script - episode 1390, broadcast on 28 September 1989. My copy of the script was used by actor Martin Dale, Police Sergeant Ian MacArthur in the show from 1980 to 1994.

At Emmerdale Farm, Annie Sugden (Sheila Mercier) enjoys a mug of cocoa with Eddie Hughes (Geoffrey Banks), father of Annie's daughter-in-law, Kate (Sally Knyvette):

SC. 2. INT. FARM PARLOUR. NIGHT. 3.

TIME: 22.15 EDDIE AND ANNIE ON THE SOFA WITH COCOA.

ANNIE: Are you sure you didn't mind leaving the dance early?

EDDIE: No, no. Once they start into the Latin American I've had it anyway. How's your knees?

ANNIE: Better than they deserve to be. I'd forgotten how much I enjoyed dancing. You're very good, Eddie.

EDDIE: Aye, I know. Used to go down the Conservative Club.

ANNIE: (TEASING) And what's a good steelworker doing down the Conservative Club, may I ask?

EDDIE: (GRIN) Using the dance floor. It were a good one. (BEAT) You should come and try it.

ANNIE: Sorry?

EDDIE: Come and stay for a weekend, and I'll take you dancing again. They'll not miss you for a day or two.

ANNIE: (GENTLE) Thanks, Eddie, but I don't think so. If you don't mind.

EDDIE: As long as you don't mind me asking.

ANNIE: I'm very flattered.

EDDIE: So you should be. I've not asked a lass back for a weekend since before the war. She said no as well. (BEAT) It's quiet here, isn't it? Where is everybody?

ANNIE: Still down at the pub, I imagine. They always have a bit of a celebration come harvest home.

At The Woolpack Inn, Amos Brearly (Ronald Magill) ponders a mystery, whilst Mr Wilks exhibits signs of jealousy...

SC. 4. INT. WOOLPACK BAR. NIGHT. 3.

TIME: 23.15

AMOS AND WILKS CLOSING AND CLEARING UP.

AMOS: I don't understand it, Mr Wilks. One minute it's standing room and mind your backs, next minute it's like the Marie Celeste. What's going on?

WILKS: (DISINTERESTED) No idea.

AMOS: It's that beer. First thing in the morning I'm writing a strong letter to the brewery.

WILKS: You do that.

AMOS: Joe, Matt. (BEAT) Jock and Bill. I mean usually I have to take the yard-broom to 'em. Even Annie and her Eddie only stayed -

WILKS: He is not her Eddie, he's - he's a visitor. She only left because she'd promised to go to some daft dance with him.

AMOS: Yes, I know, I'm sorry.

WILKS: Sorry? No need to say sorry to me, Amos. No skin off my nose.

AMOS: No, but -

WILKS: The person that should be saying sorry is that Eddie. Dragging her off like that. She's not the dancing sort. Too polite for her own good.

With Denis Rigg dead and the harvest at Home Farm unharvested, locals move to bring it in. When Annie Sugden finds out, she is furious and wastes no time in giving her family a tongue lashing. Matt Skilbeck (Frederick Pyne) is one of those on the receiving end:

ANNIE: Well? What have you got to say for yourselves?

KATE: Sorry, I'm not with you.

ANNIE: Oh yes you are, my girl. You're part of this family now, and what goes for them goes for you too.

JOE: Now hang on a minute -

ANNIE: You be quiet! I'm ashamed of the lot of you!

MATT: But what have we done?

Annie: (BEAT) Taken me for a fool for a start. D'you seriously think I've not heard the talk of the Home Farm wheat? And d'you seriously think when I hear the machinery coming into the yard at midnight I can't put two and two together? Did you get permission?

JOE: Hardly.

ANNIE: Then it's theft. Plain and simple.

JOE: It's not a simple theft at all, Ma, it's... it's - getting a harvest in! We haven't thoight about what to do with it yet.

ANNIE: (CYNICAL) Oh aye?

KATE: Nobody's been told to harvest. Have you forgotten the damage Rigg and his lot did to us? That was worse than theft!

ANNIE: (NOT QUITE SO CERTAIN) Two wrongs don't make a right and never did!

JOE: They owe us, Ma.

MATT: It'll rot where it stands if we don't get it in.

ANNIE: What d'you mean it WILL rot? Have you not finished?

JOE: (BEAT) Not quite.

Matt (LOW) You're not going to tell us to leave it, are you Ma?

ON ANNIE MAKING A DIFFICULT DECISION.

CUT TO...

Teenager Rachel Hughes (Glenda McKay) and married man Pete Whiteley (Jim Millea) are beginning an ill-fated love affair...

PETE: I am glad you came over.

RACHEL: Are you?

PETE: Yes.

RACHEL: Didn't have much choice really.

PETE: What d'you mean?

RACHEL: Just what I say. I don't seem to be in control any more. When you whistle I come running.

PETE: It's the same for me.

RACHEL: (SHAKES HEAD, SMILES) I don't think it is.

PETE: Alright, I don't run. I drive. I sit outside schools.

RACHEL: How did you know I'd come out?

PETE: (SHRUGS) I didn't. I just had to chance it.

RACHEL: (STATEMENT, NOT QUESTION) It's not just a one night stand, is it.

PETE: Doesn't look like it.

RACHEL: (WHISPER) Good. (BEAT) It's funny. Specially being here. Sometimes I hate Lynn.

PETE: Why?

RACHEL: I don't know. Straight jealousy, I suppose. She's got you and I haven't. I keep wanting to tell her what a good thing she's got.

PETE LOOKS ALARMED.

RACHEL: Don't worry, I won't. (LAUGH) It's pathetic, really, isn't it! Not rocking the boat 'cause you know you'll be the first one overboard if you do.

Amos - seen in our picture with Walter (Al Dixon) in 1985 - thinks that aliens are visiting Beckindale as crop circles hit the 1989 headlines and a field at Home Farm. He gets Mr Winstanley, an enthusiast from a local university, to come and have a look at them. Accompanied by Bill Whiteley (Teddy Turner) they make their way to the Home Farm field:

TIME: 13.30

AMOS, WHITELEY AND WINSTANLEY ARE WALKING TOWARDS THE FIELD. THEY DO NOT SEE AT FIRST THAT IT IS NOW HARVESTED.

WHITELEY: T'others have been taking the mickey out of Amos - reckoning it were space ships or some such twaddle.

AMOS: (QUICKLY) What ignorant folk say, Bill Whiteley, is of no interest to intelligentsia. Mr Winstanley here'll soon be able to make up his own mind. (HE TAKES OUT A NOTEBOOK) I measured them, you know. They were twenty one foot precisely... or as precisely as I could measure not having a measure with me, but happen you'll have one of those... and they were... (SMILES) Well, you can see for yourself.

THEY GO THROUGH A GATE/OVER A STYLE AND ARRIVE AT FIELD.

ALL THREE STARE AT A FIELD OF STUBBLE. AMOS GOBSMACKED.

AMOS: Heck.

WINSTANLEY RAISES HIS EYEBROWS QUIZZICALLY. AMOS SCURRIES INTO THE FIELD.

AMOS: Honestly, Mr Winstanley. This was the centre of one, (PACING, GESTICULATING) and... and it reached over to about here... and there was another one just that way... and a third one over there... (HE LOOKS HOPEFULLY AT WINSTANLEY, BUT THERE IS NO RESPONSE). You know, like I said, in a sort of triangle. (HE LOOKS DOWN) Look, look, if you come here you can still see where some of the stubble's bent over.

WHITELEY: That's 'cause you've stood on it.

CUT TO...

Nick Kamen thrilled the girlies by stripping off his jeans in the famous ad of the mid-1980s. Emmerdale had its own version of this scenario in 1989, as Mrs Bates (Diana Davies) returned to the house in Beckindale she shared with Alan Turner, unexpectedly bringing her mother, Alice (Olivia Jardith). Thanks to Seth Armstrong (Stan Richards), Alan had got landed with doing some (literally) dirty work for a change and he arrived home, tired and unkempt.

TIME 16.03

TURNER STANDS IN THE KITCHEN, PUTTING KETTLE ON, TAKING SOCKS AND SHOES OFF, FOLLOWED BY SHIRT AND TROUSERS, WHICH HE BUNDLES INTO WASHING MACHINE IN THE MANNER OF THE "LEVI 501" AD. IT IS NOT A PRETTY SIGHT. AS HE IS REMOVING HIS TROUSERS, ALICE PASSES THE DOORWAY, AND GASPS IN UNDERSTANDABLE SURPRISE. TURNER JUMPS OUT OF HIS SKIN AND PULLS TROUSERS UP AGAIN.

TURNER: Who the devil are you?

CUT TO...

Other events of the episode...

Amos discovered that Mr Winstanley, the man he believed was a university professor interested in crop circles, was actually a university caretaker; Eric Pollard (Christopher Chittell) got wind of the harvesting going on at Home Farm and began to make comments; Joe wanted Kate to have a baby. They talked and Kate confessed that she was finding it hard to give up her independence and that although she was happy to be married to Joe, she also felt invaded...

Emmerdale In The News - 1983: The Farmer's Wife Who Is Afraid Of Cows

Sunday Mirror, 3/7/1983:

"Emmerdale Farm" is making a quiet assault on the TV ratings. It is at number 5 in the ITV top ten, rivalling "Crossroads" for the title of Britain's most popular show after "Coronation Street"....

Helen Weir fled to a cast caravan as a gaggle of particularly loud and petulant geese played havoc with the film set outside.

Helen had no intention of tangling with them.

Even after three years with "Emmerdale Farm", 42-year-old Helen still can't cope with animals.

"I'm just terrified of horses," said Helen, who plays Pat, the wife of Jack Sugden (Clive Hornby). "And I hate going into a field of cows."

But the goat Pat Sugden looks after in the programme is helping Helen to get over her nervousness.

"The viewers have been marvellous," she said. "I'm always getting letters advising me on how to handle the goat."

Annabelle, Pat's goat, wreaked havoc, and formed part of an excellent storyline in which Pat, tired of criticism about her cooking, moved out of the kitchen a little and got out and about on the farm.

Back in 1983, many members of the cast believed that the show should have a prime time slot in the London area. But Sheila Mercier, the farm's matriarch Annie Sugden, did not agree...

Unlike her famous brother Brian Rix, the former king of the Whitehall farces, Sheila is shy and reserved and guards her privacy.

Thames TV's stubborn refusal to shift the series from their afternoon schedule suits Sheila just fine because she can live undisturbed by fans in Shepperton, Middlesex, with Peter, her husband and agent.

"Yes," admitted Sheila. "I am happy that the series goes out at a time when not many people are watching."

But something no viewer ever sees is the secret battle against pain which Sheila fights every time she gets on set. She is in constant agony with arthritis - and that's why the motherly, houseproud Annie is never seen scrubbing floors.

"I just can't kneel down," she explained. "I've tried everything from acupuncture to faith healing but it's still painful."

Sheila says there are few similarities between herself and Annie. "Annie is wise and I'm not. I'm not as compassionate as Annie. She is religious - and I'm not.

"But we're both good cooks."

Annie copes with a crisis in 1983: she has just discovered that her son Joe (Frazer Hines) is having an affair with the vicar's married daughter, Barbara Peters (Rosie Kerslake).

1980: Penny For The Seth...

Annie Sugden (Sheila Mercier) and Dolly Skilbeck (Jean Rogers) were enjoying a quick cuppa one morning in November 1980, when there was a sharp rapping at the window.

"It's Seth Armstrong, I think," grinned Dolly.

Sam Pearson (Toke Townley) entered with the Guy he had made for the Beckindale Allotment Association's firework display. The mask he had bought in Hotten for the Guy had given him ideas, and with a couple of things added it was the spitting image of Seth Armstrong!

-

"Well now, what do you think of this?!" beamed Sam.

-

"It's not we think of it, it's what Seth Armstrong will think of it!" said Annie.

-

"Oh, he won't mind, Annie, Seth can take a joke!" her father replied.

-

As it happened, the joke was lost on Seth (Stan Richards).

-

Asked by Mr Wilks if he thought the Guy resembled somebody, Seth said yes he did.

-

But he couldn't for the life of him think who.

A wonderful signed photograph of Sam Pearson (Toke Townley) and the Seth Guy Fawkes from 1980 - it's signed by Stan Richards (NOWT LIKE ME - IT'S PRETTIER!) and was on display in the Ashwood Tea Room, Esholt, for some years. The photograph was taken at Lindley Farm, the original Emmerdale Farm exterior location.

Of course, 1980 was a big year for Stan Richards and Seth Armstrong as the character became a full-time permanent regular in the summer.

Happy days!

1989: Beckindale Gets Knitting - Again...

1989... the year Tim Berners-Lee invented the World Wide Web, the Berlin Wall came down, Acid House Raves rocked youth culture, Sky TV was launched and, over in America, Game Boy arrived...

And the year also brought a new knitting book from Emmerdale Farm, the first since 1983. Out came the needles across the land.

On the cover were Kate (Sally Knyvette) and Joe (Frazer Hines) Sugden. After a stormy relationship, they tied the knot in '89, but married life was not to be peaceful as Kate found her organic venture at Crossgill beset by slugs, and her daughter, Rachel (Glenda McKay) tumbled into an affair with married Pete Whiteley (Jim Millea).

A traumatic year for Dolly (Jean Rogers) and son Sam Skilbeck (Benjamin Whitehead), also on the knitting book cover, as the Skilbeck marriage finally broke up. For Amos Brearly (Ronald Magill) there was irritation as Mr Wilks (Arthur Pentelow) developed hay fever and sneezed his way through the summer...

Evolution not revolution was the apparent intention of Emmerdale Farm producer Stuart Doughty, the man from Brookside, featured in the knitting book wearing a charming jumper. He took the producer's chair in 1988. His reign saw tense drama in Beckindale in 1989, and the arrival of the Tate family at Home Farm in November of that year.

1989 also saw the deletion of the word "Farm" from the show's title, as Doughty decided to begin dropping some of the farming content - and to reflect the fact that a lot of the show was not actually about the farm.

From a temporary bit-part in 1978, to full-time character status in 1980, Seth Armstrong (Stan Richards) spent quite a lot of 1989 baiting Amos Brearly. Situation normal.

Kathy Merrick (Malandra Burrows) - looking charming in a lovely '80s cardie. The poor girl faced the tragic loss of her husband, Jackie (Ian Sharrock) in 1989 - he accidentally shot himself whilst hunting a troublesome fox.

Amos and Mr Wilks - a stormy year at The Woolpack as Amos realised just how irritating Mr Wilks was (!!!!). He told Seth: "I cannot understand why I've never noticed before, he's got more irritating habits than anyone I've ever known - including you, Seth Armstrong!"

Matt Skilbeck (Frederick Pyne) - lovely cardie, but 1989 had it in for the man. His marriage to Dolly was at an end. Frederick Pyne recorded Matt's last scenes in November, and Matt was last seen on-screen in December.

Caroline Bates (Diana Davies) arrived as a temp secretary at NY Estates in 1984. She soon became permanent. Since his arrival in 1982, Alan Turner (Richard Thorp) had been making a proper pig's ear of things on the estate, and Mrs Bates was his saviour. Romance developed and, in 1989, the two planned to wed. But things didn't work out, and Mrs Bates left Beckindale, in tears, in November to look after her ailing mother in Scarborough.

Matriarch Annie Sugden (Sheila Mercier). Her strength finally crumbled in 1989, and she found herself developing a dependency on tranquillisers. Recovering, she faced new heartache - businessman Denis Rigg's underhand attempts to buy the farm, and then the death of her grandson, Jackie.

Archie Brooks (Tony Pitts) - first turned up clutching a ghetto blaster and sporting a hairdo rather like David Sylvian's, of synth pop group Japan, in November 1983. He sported a very natty alphabet jumper for the knitting book in 1989, and temporarily departed from Beckindale in November to live with his mum when the old outbuilding he called home became too draughty.