1989: Beginning The Emmerdale Era...

Settling back to watch the first episode of the Emmerdale-minus-Farm era on 14 November, 1989, change was immediately upon us. The timeless Tony Hatch theme tune was still in place, but the accompanying visuals were very different.

The previous opening titles had been retro and lovely at the time of their introduction in 1975. As Emmerdale Farm's creator Kevin Laffan, interviewed in 1982, said - the aim was to get us to feel that Beckindale was the sort of place we wanted to live in - an escape from the grimness of modern day city living. There was a glorious Cider With Rosie feel to those titles, which endured until November 1989 and the final episode of Emmerdale Farm.

By the "go for it!" late 1980s, many of us city dwellers had a little money to spare to "live the dream" and escapes to the country were a reality. The 1989 opening titles reflected the increase in leisure pursuits in the countryside, and also featured Beckindale locations.

Many of us thought that the house featured in silhouette with the sun sinking behind it in the 1975-1989 opening titles was Emmerdale Farm. But a closer inspection reveals this was not so. I'm not sure where the location actually was, but it certainly wasn't Lindley Farm, the real-life location of Emmerdale Farm exterior scenes.

The 1989 titles went mainly for bright sunlight and featured Creskeld Hall (Home Farm), The Commercial Inn at Esholt (The Woolpack), and, finally, the cows coming home to Lindley Farm (Emmerdale Farm).

There was hang-gliding, ploughing, harvesting, a milk tanker going over a bridge, horse riding, sheep deeping... and some glorious sunshine. A wonderful advertisement for one of England's most beautiful counties.

Scrolling text had been employed for the end credits just before the end of the Emmerdale Farm era, and was used again for early Emmerdale - the end view this time being of the back of the farmhouse.

Of course, the Emmerdale Farm era had not been stagnant - tremendous changes had taken place in the show during the 1980s when the whole pace and tempo was altered. This was particularly noticeable during Richard Handford's era as producer, from 1983-1986, when the number of scenes per episode was increased.

The show had not been without its share of controversial drama, finally prompting Kevin Laffan, who had argued repeatedly against scenes of sex and violence over the years, to stop writing for it.

During the 1980s, Emmerdale Farm became an all-year-round soap, and was first networked - shown at the same time and on the same day across the country.

Original characters had evolved, some had been recast - and also, in the case of Jack Sugden, slightly rewritten - and new permanent characters had arrived by the ton.

But if the Emmerdale Farm era of the 1980s had seen many changes, the Emmerdale era of 1989-2009 has seen far more.

So, how did the new era dawn?

Well, we found ourselves in Main Street, Beckindale, as the opening titles faded...

The mobile library had arrived.

Sarah Connolly (Madeleine Howard) exchanged greetings with a passer-by, and then...

"Morning, Miss Connolly!" called Henry Wilks (Arthur Pentelow), getting in the milk, post and newspaper across the road at The Woolpack.

"Mr Wilks!" acknowledged Sarah.

"Bit nippy!" said Henry.

"Certainly is!" said Sarah.

Back inside the pub, Henry found Amos Brearly (Ronald Magill) bustling about behind the bar, tidying up...

More soon!

Twenty Years Of Emmerdale...

Emmerdale, November 1989: Chris Tate (Peter Amory) pays his first visit to The Woolpack, and meets Amos Brearly (Ronald Magill). Young Mr Tate needs to use the public phone at the pub...

Chris: "I've got one of those cell phone things in the car, but it's playing up."

Amos (dourly): "So much for modern communications..."

Emmerdale lost "Farm" from its title on 14 November, 1989 - episode 1403 - as the show sought to broaden its appeal further.

Other changes were soon sending shock waves through Beckindale - not least the arrival of the Tate family at Home Farm.

We'll be taking a look at some of the first story-lines of the new Emmerdale era - from November and December 1989 - over the next couple of months.

Who was seeking a divorce?

Who was the love-lorn mobile librarian?

Who dressed as Aphrodite for the New Year's Eve party?

And who got a load of baked beans poured over them?

More soon...

Emmerdale 1989: Annie Sugden Goes Dancing, Amos Brearly Gets Into Crop Circles, Alan Turner Becomes Nick Kamen And Rachel Hughes Plays With Fire...

Here we take the time tunnel back to 1989 - a highly dramatic year which saw, amongst other things, the fall of the Berlin Wall and the invention of the World Wide Web, which would bring computers into all our lives in the 1990s.

Below are some extracts from an Emmerdale Farm script - episode 1390, broadcast on 28 September 1989. My copy of the script was used by actor Martin Dale, Police Sergeant Ian MacArthur in the show from 1980 to 1994.

At Emmerdale Farm, Annie Sugden (Sheila Mercier) enjoys a mug of cocoa with Eddie Hughes (Geoffrey Banks), father of Annie's daughter-in-law, Kate (Sally Knyvette):

SC. 2. INT. FARM PARLOUR. NIGHT. 3.

TIME: 22.15 EDDIE AND ANNIE ON THE SOFA WITH COCOA.

ANNIE: Are you sure you didn't mind leaving the dance early?

EDDIE: No, no. Once they start into the Latin American I've had it anyway. How's your knees?

ANNIE: Better than they deserve to be. I'd forgotten how much I enjoyed dancing. You're very good, Eddie.

EDDIE: Aye, I know. Used to go down the Conservative Club.

ANNIE: (TEASING) And what's a good steelworker doing down the Conservative Club, may I ask?

EDDIE: (GRIN) Using the dance floor. It were a good one. (BEAT) You should come and try it.

ANNIE: Sorry?

EDDIE: Come and stay for a weekend, and I'll take you dancing again. They'll not miss you for a day or two.

ANNIE: (GENTLE) Thanks, Eddie, but I don't think so. If you don't mind.

EDDIE: As long as you don't mind me asking.

ANNIE: I'm very flattered.

EDDIE: So you should be. I've not asked a lass back for a weekend since before the war. She said no as well. (BEAT) It's quiet here, isn't it? Where is everybody?

ANNIE: Still down at the pub, I imagine. They always have a bit of a celebration come harvest home.

At The Woolpack Inn, Amos Brearly (Ronald Magill) ponders a mystery, whilst Mr Wilks exhibits signs of jealousy...

SC. 4. INT. WOOLPACK BAR. NIGHT. 3.

TIME: 23.15

AMOS AND WILKS CLOSING AND CLEARING UP.

AMOS: I don't understand it, Mr Wilks. One minute it's standing room and mind your backs, next minute it's like the Marie Celeste. What's going on?

WILKS: (DISINTERESTED) No idea.

AMOS: It's that beer. First thing in the morning I'm writing a strong letter to the brewery.

WILKS: You do that.

AMOS: Joe, Matt. (BEAT) Jock and Bill. I mean usually I have to take the yard-broom to 'em. Even Annie and her Eddie only stayed -

WILKS: He is not her Eddie, he's - he's a visitor. She only left because she'd promised to go to some daft dance with him.

AMOS: Yes, I know, I'm sorry.

WILKS: Sorry? No need to say sorry to me, Amos. No skin off my nose.

AMOS: No, but -

WILKS: The person that should be saying sorry is that Eddie. Dragging her off like that. She's not the dancing sort. Too polite for her own good.

With Denis Rigg dead and the harvest at Home Farm unharvested, locals move to bring it in. When Annie Sugden finds out, she is furious and wastes no time in giving her family a tongue lashing. Matt Skilbeck (Frederick Pyne) is one of those on the receiving end:

ANNIE: Well? What have you got to say for yourselves?

KATE: Sorry, I'm not with you.

ANNIE: Oh yes you are, my girl. You're part of this family now, and what goes for them goes for you too.

JOE: Now hang on a minute -

ANNIE: You be quiet! I'm ashamed of the lot of you!

MATT: But what have we done?

Annie: (BEAT) Taken me for a fool for a start. D'you seriously think I've not heard the talk of the Home Farm wheat? And d'you seriously think when I hear the machinery coming into the yard at midnight I can't put two and two together? Did you get permission?

JOE: Hardly.

ANNIE: Then it's theft. Plain and simple.

JOE: It's not a simple theft at all, Ma, it's... it's - getting a harvest in! We haven't thoight about what to do with it yet.

ANNIE: (CYNICAL) Oh aye?

KATE: Nobody's been told to harvest. Have you forgotten the damage Rigg and his lot did to us? That was worse than theft!

ANNIE: (NOT QUITE SO CERTAIN) Two wrongs don't make a right and never did!

JOE: They owe us, Ma.

MATT: It'll rot where it stands if we don't get it in.

ANNIE: What d'you mean it WILL rot? Have you not finished?

JOE: (BEAT) Not quite.

Matt (LOW) You're not going to tell us to leave it, are you Ma?

ON ANNIE MAKING A DIFFICULT DECISION.

CUT TO...

Teenager Rachel Hughes (Glenda McKay) and married man Pete Whiteley (Jim Millea) are beginning an ill-fated love affair...

PETE: I am glad you came over.

RACHEL: Are you?

PETE: Yes.

RACHEL: Didn't have much choice really.

PETE: What d'you mean?

RACHEL: Just what I say. I don't seem to be in control any more. When you whistle I come running.

PETE: It's the same for me.

RACHEL: (SHAKES HEAD, SMILES) I don't think it is.

PETE: Alright, I don't run. I drive. I sit outside schools.

RACHEL: How did you know I'd come out?

PETE: (SHRUGS) I didn't. I just had to chance it.

RACHEL: (STATEMENT, NOT QUESTION) It's not just a one night stand, is it.

PETE: Doesn't look like it.

RACHEL: (WHISPER) Good. (BEAT) It's funny. Specially being here. Sometimes I hate Lynn.

PETE: Why?

RACHEL: I don't know. Straight jealousy, I suppose. She's got you and I haven't. I keep wanting to tell her what a good thing she's got.

PETE LOOKS ALARMED.

RACHEL: Don't worry, I won't. (LAUGH) It's pathetic, really, isn't it! Not rocking the boat 'cause you know you'll be the first one overboard if you do.

Amos - seen in our picture with Walter (Al Dixon) in 1985 - thinks that aliens are visiting Beckindale as crop circles hit the 1989 headlines and a field at Home Farm. He gets Mr Winstanley, an enthusiast from a local university, to come and have a look at them. Accompanied by Bill Whiteley (Teddy Turner) they make their way to the Home Farm field:

TIME: 13.30

AMOS, WHITELEY AND WINSTANLEY ARE WALKING TOWARDS THE FIELD. THEY DO NOT SEE AT FIRST THAT IT IS NOW HARVESTED.

WHITELEY: T'others have been taking the mickey out of Amos - reckoning it were space ships or some such twaddle.

AMOS: (QUICKLY) What ignorant folk say, Bill Whiteley, is of no interest to intelligentsia. Mr Winstanley here'll soon be able to make up his own mind. (HE TAKES OUT A NOTEBOOK) I measured them, you know. They were twenty one foot precisely... or as precisely as I could measure not having a measure with me, but happen you'll have one of those... and they were... (SMILES) Well, you can see for yourself.

THEY GO THROUGH A GATE/OVER A STYLE AND ARRIVE AT FIELD.

ALL THREE STARE AT A FIELD OF STUBBLE. AMOS GOBSMACKED.

AMOS: Heck.

WINSTANLEY RAISES HIS EYEBROWS QUIZZICALLY. AMOS SCURRIES INTO THE FIELD.

AMOS: Honestly, Mr Winstanley. This was the centre of one, (PACING, GESTICULATING) and... and it reached over to about here... and there was another one just that way... and a third one over there... (HE LOOKS HOPEFULLY AT WINSTANLEY, BUT THERE IS NO RESPONSE). You know, like I said, in a sort of triangle. (HE LOOKS DOWN) Look, look, if you come here you can still see where some of the stubble's bent over.

WHITELEY: That's 'cause you've stood on it.

CUT TO...

Nick Kamen thrilled the girlies by stripping off his jeans in the famous ad of the mid-1980s. Emmerdale had its own version of this scenario in 1989, as Mrs Bates (Diana Davies) returned to the house in Beckindale she shared with Alan Turner, unexpectedly bringing her mother, Alice (Olivia Jardith). Thanks to Seth Armstrong (Stan Richards), Alan had got landed with doing some (literally) dirty work for a change and he arrived home, tired and unkempt.

TIME 16.03

TURNER STANDS IN THE KITCHEN, PUTTING KETTLE ON, TAKING SOCKS AND SHOES OFF, FOLLOWED BY SHIRT AND TROUSERS, WHICH HE BUNDLES INTO WASHING MACHINE IN THE MANNER OF THE "LEVI 501" AD. IT IS NOT A PRETTY SIGHT. AS HE IS REMOVING HIS TROUSERS, ALICE PASSES THE DOORWAY, AND GASPS IN UNDERSTANDABLE SURPRISE. TURNER JUMPS OUT OF HIS SKIN AND PULLS TROUSERS UP AGAIN.

TURNER: Who the devil are you?

CUT TO...

Other events of the episode...

Amos discovered that Mr Winstanley, the man he believed was a university professor interested in crop circles, was actually a university caretaker; Eric Pollard (Christopher Chittell) got wind of the harvesting going on at Home Farm and began to make comments; Joe wanted Kate to have a baby. They talked and Kate confessed that she was finding it hard to give up her independence and that although she was happy to be married to Joe, she also felt invaded...

Ernie Shuttleworth And The Malt Shovel In The 1980s...

The July 1986 Woolpack Versus Malt Shovel Dominoes Match ends in acrimony - Amos Brearly (Ronald Magill), Jock MacDonald (Drew Dawson) and Ernie Shuttleworth (Peter Schofield) were there.

Simon writes to ask:

The Malt Shovel is a never-seen Emmerdale mystery location. Did it appear in the 1980s?

Yes, Simon, it did.

The Shovel had long been a thorn in Amos Brearly's side: he denounced landlord Ernie Shuttleworth's beer as "filth" and frowned upon the "low standards" of Beckindale's other hostelry.

Ernie Shuttleworth had first appeared in the show's early years and was briefly portrayed by actor John Comer (Sid of Last Of The Summer Wine).

After this, Amos' disapproval of the Shovel in no way decreased, however Ernie was not seen on-screen, but occasionally mentioned, for years.

In the summer of 1980, Malt Shovel regular Seth Armstrong (Stan Richards) became a Woolpack regular, as Seth became a full-time Emmerdale Farm character.

Amos was at his most blustering when being wound up, and in the 1980s viewers adored seeing the increasingly larger-than-life Mr B being wound up.

And Seth quickly became a master at it.

In 1984, Ernie Shuttleworth was re-introduced, now played by actor Peter Schofield. Mr Schofield's portrayal of Ernie did not exactly echo John Comer's - the character became rather more sly, and more of an adversary for Amos than ever before.

The Shovel appeared on-screen in 1982, when Seth, fed up with being under the gaze of his NY boss and the vicar - both regulars at The Woolpack, briefly sought refuge there (Ernie was not seen).

We heard in the early '80s that Ernie had had a Space Invaders machine installed. Of course, The Woolpack would never have stooped so low!

In January 1984, Peter Schofield's splendid Mr Shuttleworth made his debut, squaring up to Amos, and battle commenced.

We viewers were treated to on-screen Shovel scenes as we witnessed its Country And Western Night (complete with yodelling cowboy singer), and Mr Wilks (Arthur Pentelow) developed a fondness for Shovel barmaid Doreen (Sandra Gough).

There was trouble between Amos and Ernie at the annual Licensed Victuallers' Association Ball.

And more trouble over Ernie's nightly "Happy Hour", which drew custom from The Woolpack.

When Ernie was caught serving drinks after hours, Amos wrote a disparaging article on the subject for the Hotten Courier, and Ernie, in retaliation, interfered with the clock in The Woolpack bar, thus causing Amos to be caught serving customers after time.

From then on, Ernie's occasional appearances became a treat greatly relished by viewers.

At the end of the day, Ernie wanted custom and was not afraid of modern gimicks to secure it. His weekly disco nights midway through the decade with the "latest hot sounds of the '80s" were the talk of Beckindale and resulted in Ernie putting his back out. Had he been attempting to breakdance, I wondered?!!

Amos wanted custom too, and he was pushed into installing a jukebox at The Woolpack for a while. But Amos was caught up with delusions of grandeur and his approach was very different to Ernie's.

He usually frowned down on modern gimmicks from a very great height.

To sum up, the 1980s war of the Beckindale pub landlords was simply hilarious.

Ronald Magill's performance as Amos was never short of inspired.

I adored Amos - and never more so than in the 1980s when this beautifully matured character scaled new heights of blathering bombast and oddness.

And Peter Schofield, in bringing Ernie Shuttleworth out of the shadows and into the limelight as an instantly real character whose main aim was to secure as much custom as possible for his pub, and get right on Amos' wick in the process, was a delight!
September 1984...

Having been caught by the police serving after hours, and crowed over by Amos Brearly in the Hotten Courier, Ernie Shuttleworth visits The Woolpack to tell Amos exactly what he thinks of him. Mr Wilks goes to find Amos, Walter (Al Dixon) visits the Gents and Ernie, suddenly alone in the bar, has an idea. He alters The Woolpack clock, putting it back twenty minutes, tells Walter (on his return from the Gents) that he can't wait any longer - he's a pub of his own to run - and leaves. Mr Wilks returns from a fruitless search for Amos to find Walter alone in the bar. Where on earth had Amos gone?

The explanation was simple: Amos, having seen the indignant Ernie approaching The Woolpack, and uncertain of how to defend his somewhat spiteful stance in The Courier, had sought refuge in the cellar.

In Praise Of Henry Wilks (Arthur Pentelow)

Arthur Pentelow as Henry Wilks - enduring some nonsense from Amos Brearly (Ronald Magill) in 1984 and having fun at the Beckindale playgroup in 1981.

William writes to tell me that Mr Wilks is getting a poor deal here...

He was my favourite character - the ideal Dad or Grandad. I think you should feature him more.

So do I, William. I thought the world of that character!

Here's a little tribute...

Henry was kind hearted but straight talking, and utterly reliable as a friend.

Of course, he is best remembered for his partnership with Amos Brearly (Ronald Magill) - long suffering Henry was the voice of sanity, and Amos - increasingly... er... idiosyncratic! But Henry was very shrewd. He saw through Amos' daft fads and moods to the man of kindness and integrity that lurked within.

He and Amos were the best of best friends.

They both enjoyed a pipe - and the characters were even declared "Joint Pipe Smokers Of The Year" in 1986.

But Henry's life wasn't totally centred around Amos and The Woolpack - far from it. He was on the board at Emmerdale Farm Ltd, and, from 1981 onwards, was also a parish councillor.

He enjoyed walking, and studying the local flora and fauna.

Henry was the man Tom Merrick (Edward Peel) recommended troubled young Jackie (Ian Sharrock) should turn to if ever he needed help or advice.

Idealistic, eco-friendly Jack Sugden (Clive Hornby) had difficulties with Henry's business side - and we must never forget that Henry was a successful businessman before he retired to Beckindale. This provided another fascinating element to the character. The Henry we knew so well was kind and caring, but he'd once moved in very different circles. In 1986 he was canny indeed whilst buying some land for Emmerdale, and in 1989, he told unscrupulous (and, in fact, downright villainous) businessman Denis Rigg (Richard Franklin) that he knew his type.

Henry had once swum in a much more competitive and shark-infested pond than Beckindale!

At the centre of it all was his partnership at The Woolpack with Amos, but who could forget his feelings for Annie Sugden (Sheila Mercier) and his brief romance with Doreen (Sandra Gough) from The Malt Shovel?

Henry was also a family man, and his concern for his daughter, Marian (Debbie Blythe), added yet another facet to the character.

I recall (and re-watch) with delight the Mr Wilks and Amos story-lines.

But there was much more to Henry's role in the show than just living with and trying to speak sense to Amos.

Henry was a very active pillar of the Beckindale community.

And a much-loved Emmerdale Farm character in his own right.

Amos Brearly Of The Woolpack Inn - The 1980s - Update

Mr Brearly, 1985.

One of the most popular characters on this blog is Mr Amos Brearly, licensee and proprietor of The Woolpack Inn, Beckindale.

Ronald Magill was a brilliant actor, and watching the old episodes of the show it's wonderful to see how the Amos character evolved. We recently watched an episode of Emmerdale Farm from 1978 and Amos was featured. But a far quieter, less blustering and bizarre character than the Amos of the 1980s

As we've stated many times before, 1980 was an absolutely pivotal year for the dour and nosey publican, as Seth Armstrong (Stan Richards) became a regular at The Woolpack and Al Dixon began his reign as the weird silent Walter.

Seth wound Amos up to the hilt, and Amos chuntered nine-to-the-dozen to Walter. Any vestiges of commonsense the character had previously possessed seemed to disappear in 1980 and the Golden Era of Amos barminess began.

In our Amos Brearly - The 1980s post, we'll take a brief canter through as many as possible of the Amos story-lines of the 1980s.

1980:

Amos starts the decade with a fitness fad - healthy food and exercise. But he soon tires of the food and does himself a mischief with his chest expander.

Strange noises make Amos wonder if a deceased auntie is paying him a visit - but it turns out to be bats in the loft!

Seth Armstrong switches from The Malt Shovel to The Woolpack in the summer and his constant baiting of Amos leads to years of fun. Amos gets an allotment, but is disappointed when Nellie Ratcliffe (Gabrielle Blunt) wins first prize for her marrow in the annual village show. The annual Butterworth Ball cricket match against Robblesfield breaks its time honoured tradition and becomes a bowls match for one year only, at the request of the wily Eccky Tait. Beckindale loses.

Amos spots a strange light in the sky over Bogle Bog and becomes fascinated by bogles and UFOs. His Auntie Emily (Ann Way) visits The Woolpack for the very first time late in the year. Auntie Emily's visit coincides with one from Henry's cousin, Alice (Hazel Bainbridge). Auntie Emily is horrified by Amos' fascination with the supernatural and leaves in a great hurry!

At Christmas, Amos invites local bell ringers to The Woolpack, and, of course, joins in.

1981:

Aunt Emily sends Amos a hat as a present. But he's mocked so unmercifully by Seth Armstrong, that he has to stop wearing it!

When a Space Invaders machine is delivered to The Woolpack in error, Amos is most disapproving. That kind of new fangled trash was best left to Ernie Shuttleworth and The Malt Shovel. But Amos secretly becomes addicted to the machine whilst he waits for the supplier to collect it, and Mr Wilks discovers him in the early hours of the morning desperately trying to keep the Invaders at bay.

Amos is devastated to be told that his job as Beckindale correspondent on The Hotten Courier is being cut. He responds by starting a rival news sheet - The Beckindale Bugle. In the end, the new Beckindale correspondent on the Courier falls down on the job (drunk!) and Amos is reinstated.

Amos is annoyed to find that The Malt Shovel has had a burglar alarm installed. Keeping up with the Shuttleworths, he orders a device for The Woolpack. But a combination of penny pinching and Amos' DIY attempts at installation, lead to chaos.

Amos attempts to turn his hand to plumbing, and causes a flood, ruining the living room ceiling at The Woolpack.

Monks Brewery organises a "Best Kept Cellar" competition. Two visits are required by the judge, the awesome Lettice Noble (Patsy Smyth). Amos is disqualified when he applies a coat of whitewash to the cellar between the visits (strictly against the rules) and Mrs Noble discovers that the paint is still wet!

1982:

Amos cooks a rabbit pie, using a rabbit supplied by Seth Armstrong, and both he and Mr Wilks end up with food poisoning.

Seth ends up dead drunk when he stands in for Amos and Henry behind the bar whilst the pair attend the wedding of Pat Merrick (Helen Weir) and Jack Sugden (Clive Hornby).

Amos broadens his horizons with a holiday in Spain. Mr Wilks discovers that Amos, through penny pinching, ended up with unacceptable accommodation and flew back to England after only a couple of days, where he spent the remainder of his holiday in Scarborough. Amos begs him not to tell Seth and the other regulars!

Amos is affronted by a Hotten Courier article referring to "Billy Bunter" (fat) pub landlords. The article suggests that the Hotten area (including Beckindale) has many examples. Amos takes up walking to get fit. He ends up twisting his ankle on Blackridge Scarr and having to be rescued by the local fell rescue team.

1983:

Amos is encouraged by Alan Turner (Richard Thorp) to take up golf, and Mr Wilks provides a free lesson. But Amos is put off after encountering the fiercesome Major (Michael Sheard), a crony of Alan's.

Amos wins a three wheeler bike in a competition, and is highly delighted.

Amos tries to attract the Hotten Courier's pub and restaurant reviewer to The Woolpack. His support for Alan Turner in a dispute with the workers at NY Estates causes most of the Woolpack's regulars to desert him. Amos is forced to climb down.

Annabelle, a goat belonging to Pat Sugden (Helen Weir) eats Amos' hat when Amos attends Sam Skilbeck's Christening party at Emmerdale.

Amos reports the sorry state of Seth Armstrong's garden to the Reverend Donald Hinton (Hugh Manning). Our Mr Brearly sees it as a major obstacle to Beckindale winning the Best Kept Village competition. Donald consults Alan Turner, who threatens Seth with dismissal if he doesn't tidy up the garden of his home - which is an NY Estates tied cottage.

Seth complies, and is highly commended by the judges, but he ensures that Amos is shown up well and truly by dumping a load of horse manure outside The Woolpack on the morning of the "judgement day"!

Amos takes up meditation and delivers half-baked sermons on philosophy to Mr Wilks and the regulars.

Amos' Aunt Emily and brother Ezra (Martin Matthews) turn up when Amos' Uncle Arthur dies. Aunt Emily is determined to stop her brother, Sidney, getting his hands on Uncle Arthur's valuables. But things don't go according to plan, and the will reading reveals that Uncle Arthur has left a load of worthless tat to Emily, Sidney, Amos and Ezra.

Ezra at The Woolpack, with Walter and Wilks.

Amos organises the annual Christmas Show at the village hall and books a local New Wave rock band to attract youngsters. Amos is so horrified at the din the band makes, he tries to turn the sound down - and fuses the lights, plunging the hall into darkness. Amos is convinced that he is a laughing stock in the village for fouling up the show and takes some time to get over it all.

1984:

Peter Schofield debuts as Ernie Shuttleworth of The Malt Shovel, a role previously (and very briefly) played by John Comer.

Amos goes to a health farm for three days rest and relaxation... but it turns out disastrously when he discovers they don't serve potatoes for dinner or sell pipe tobacco.

Annie Sugden (Sheila Mercier) accompanies Amos to the local Licensed Victuallers' Association ball. Amos ends up leaving in a strop and a taxi, believing that Annie has left the ball with Ernie Shuttleworth. But she hasn't and is annoyed that Amos has left her there. Amos ends up with some apologising to do.

Amos is puzzled when his regulars start leaving The Woolpack en-masse every night, each time returning after an hour. He follows them, and discovers they are attending Ernie Shuttleworth's "Happy Hour" at The Malt Shovel. There is bad feeling between Ernie and Amos, heightened when Ernie tampers with the clock at The Woolpack, ensuring that Amos and Mr Wilks are caught by Police Sergeant MacArthur (Martin Dale) serving drinks after hours.

Amos grows neurotic after Nellie Ratcliffe suffers a gas leak. He's convinced that there is a leak at The Woolpack. There isn't, but the cooker blows up anyway when Amos tampers with it to make it "safe". A grand meal he has prepared for friends is splattered all over the room. Amos and Mr Wilks decide that it's time to redecorate.

Amos and Mr Wilks install a microwave oven - these were regarded as "new fangled" gadgets back then. Amos asks Annie Sugden for advice - but she's never even seen a microwave oven before! Chaos ensues as Amos tries to puzzle it out.

Seth Armstrong and Amos are in competition to win the village show with their marrows. Seth's exhibit wins on weight - and as he hoists it triumphantly, a load of nails fall out! Seth is disqualified and Amos wins.

Keep an eye on this article - it will grow!

1984: Amos And The Health Farm...

At the start of 1984, Amos Brearly knew that everybody in Beckindale was laughing at him.

The Christmas Show of 1983 had ended with the lights in the village hall all going out, caused by Amos trying to cut out the din caused by local New Wave band The Girotechnics (clever name - a lot of youngsters were depending on DHSS giros back then!). As Amos had tried to cut down the decibels, the lights had fused.

And the village hall had been plunged into darkness.

The people of Beckindale had thoroughly enjoyed the show, and nobody really minded the unexpected ending - but Amos, as organiser and compere of the show, was convinced everybody was sniggering up their sleeves at him.

He was snappy, irritable, and extra-obsessive, checking that he'd locked the door each closing time several times, snapping at customers, snapping at Mr Wilks, and when the Rev Donald Hinton (Hugh Manning), having heard that Amos was troubled, tried to convince him that the Christmas show had been a big success, enjoyed by all, Amos flared up at him - paranoia rampant.

Of course, Amos' least favourite customer, Seth Armstrong (Stan Richards) was laughing at him and took great pleasure in winding him up further.

Amos seemed tired and run down. He continued to bark at Mr Wilks and the customers and things were becoming unbearable.

Mr Wilks was at his wit's end, when Amos suddenly returned from a short (and mysterious) jaunt away from the pub, beaming all over his face. He called Seth Armstrong his "friend" and bought him a drink. He socialised with the customers - he even played darts with Matt and Dolly Skilbeck. He was charm itself when Mr Wilks took time out to pop up to Emmerdale for an hour.

Mr Wilks was uneasy.

And then Mr Wilks discovered the tablets in a drawer in the back room.

Amos' mysterious appointment had been with his GP. And, obviously, Amos was now on tranquillisers!

Mr Wilks was deeply concerned, and wasted no time in showing Amos an alternative which was advertised in that week's Hotten Courier: a local health farm called Lodge House was often used by publicans. It would do Amos the world of good as he was so run down. Amos simply beamed at Mr Wilks - that was nonsense - he hadn't felt better in years!

Finally, Mr Wilks was forced to confront Amos about the tranquillisers. He told Amos he had discovered his little secret. Amos, not without reservations, emptied the tranquillisers out into the bin.

And immediately a dreadful change occurred. Amos began to get agitated. The back room was a tip! Had he locked the front door?

Mr Wilks watched, aghast, as Amos went from bonhomie personified to the ranting beast of Beckindale in the twinkling of an eye!

Mr Wilks was perplexed. "Them pills have worn off quickly!"

"I've not checked the cellar," squawked Amos. "Things round 'ere would go to pot if it weren't for me!" And he barged out, fueled on angst.

Finally, Amos, tired and listless, reconsidered the health farm idea...

... and decided to give it a go.

Mr Wilks was delighted when Amos booked three days at Lodge House, and Amos thoroughly enjoyed winding up Seth Armstrong by refusing to tell him where he was going.

The health farm was impressive, situated in a large old house, set in lovely countryside. Mr Wilks drove Amos there, and left him being shown up to his room, looking forward to some rest and revitalisation.

Amos was pleased at the prospect of a massage, but taken aback by the fact that the person giving the massage was actually a masseuse - a woman! A foreign woman at that!

"Would you please go in to the cubicle and remove your clothes for me?" she requested.

The brazen hussy!

"I beg your pardon, Miss!" cried Amos.

"You have to have no clothes for a massage," explained the lovely masseuse.

"I'm afraid I can't remove my clothes just like that!" protested Amos. "Not in front of a lady as I've not even met!"

"There's no need to be embarrassed, I see men without their clothes all day!" said the masseuse, coolly. "I'm sorry. There is a towel in the cubicle to put round your middle."

Amos was part mollified, but still a little uncertain: "Fair enough. I'll go and change then. Is it, er, a big towel?"

The masseuse looked at him disdainfully: "It should be big enough, I think."

The cheeky little madam!

Still, never mind. Amos enjoyed his massage so much, he fell asleep.

Next on the agenda was dinner: sauteed chicken liver, nut rissole, shredded carrots and celery salad.

"Ere, 'ang on, where's me taties?" yelped Amos as the waiter made to move off.

"Sorry, Sir, no potatoes," said the waiter.

"But what about my carbohydrates?" cried Amos.

"We don't serve it, Sir" said the waiter.

No taties!

Amos was aghast.

And was instantly gripped by tatie lust.

Amos was absolutely horrified at the tiny dinners and lack of potatoes. His stomach rumbled constantly. He craved taties. Then, he began to run out of tobacco. On enquiring, Amos discovered that the health farm did not sell tobacco, did not like smoking on the premises, and that the nearest shop was four miles away.

Amos was comforted by the presence of a sympathetic fellow inmate, who listened to all his grumbles and whimpers.

The listener was most surprising. He took Amos to his room and revealed two briefcases. And when he opened them, Amos' eyes almost popped out of his head.

Inside each case was an Aladdin's cave of tobacco, cigarettes, peanuts, chocolate, crisps... all those wonderful things denied to Amos by Lodge House (perhaps "Colditz" would have been a better name?).

"It were pipe tobacco you were after, weren't it?" asked Amos' new friend. "And perhaps I can interest you in something else?

"You must certainly can!" said Amos.

"Only thing is, it's the old laws of supply and demand," said Amos' pal. "And 'ere the demand's big and the supply is low. We'll 'ave to negotiate a price!"

The sight of the tin of the tobacco the man was holding was driving Amos mad!

"Never mind the price," he snatched the tin. "Give me three packets of crisps, prawn cocktail if you've got 'em - I've got to have some potatoes!"

The man indicated the crisps and tobacco and named his prices: "One-fifty, and a fiver!"

Amos, never exactly lavish with his cash, was absolutely aghast: "EH?!!"

Amos was not really enjoying the Lodge House experience, it has to be said.

But worse was to come.

Sweating it out in a Turkish bath, Amos was a captive audience for a very chatty man, also undergoing the health treatment.

The man wittered away about a wonderful meal he had recently enjoyed.

"Starters - I had paté, right? Followed by fillet of lemon sole, grilled to a golden colour. Main course, I 'ad t-bone steak - biggest you've ever seen in your life, it were!"

This was agony for Amos, starved for want of nourishment as he was.

"Then on me way 'ome I stopped at a country pub and washed it all down with a few pints of ale."

"Very nice," said Amos, through gritted teeth.

"Yes, seemed such a nice little pub," said the man. "Woolpack Inn, Beckindale. You wouldn't expect it to be full of drunks, though."

Amos was startled. The man did not know who he was, but he had visited The Woolpack - what was he saying?

"DRUNKS?!!" cried Amos.

"Aye," said the man, cheerfully. "There were this man there, drunk as a lord, weren't he - and these other two had to carry him out, he could hardly walk!"

"In't Woolpack?!" came a strangled cry from Amos.

"That's not the half of it," said the man. "This other man left the pub and practically ran somebody over in't car park! I wouldn't've minded - but it was only seven o'clock!"

"What the 'eck's he playin' at? I knew he wouldn't be able to manage!" cried Amos, speaking, of course, about Mr Wilks.

"Pardon?" the happy purveyor of Woolpack gossip was puzzled.

"I shall have to leave!" said Amos.

But he was trapped in the Turkish bath.

"How do I get out of this thing? Help - HELP!"

Amos took a taxi back to Beckindale, and arrived to find Jackie Merrick (Ian Sharrock) brawling with the leader of the Hotten Werewolves biker gang in The Woolpack car park.

No blood had been shed, and Amos broke up the fight immediately.

It transpired that Jackie had sold one of The Werewolves a motor bike which had almost immediately conked out. The Werewolves wanted their money back.

Amos sorted the matter (Jackie was forced to pay up) and then went into the pub in a state of high "dungeon" as he called it.

But his ire was somewhat soothed by a big plateful of pie, peas and mashed taties for dinner.

Mr Wilks upbraided Amos for listening to "strange men in Turkish baths", and told him just what had been going on. Alan Turner had been the man "drunk as a lord", and Jack Sugden and Jackie Merrick had seen him off the premises. Jack had driven him home.

Harry Mowlam (Godfrey James), from the quarry at Connelton, had been in the bar, and Jackie had not been able to resist making some loud comments, designed to annoy him.

When Jackie left on his motorbike, Harry had driven his land rover straight across Jackie's path, causing the lad to fall from the bike.

Mr Wilks, convinced that Harry had done it on purpose, had informed Sergeant MacArthur (Martin Dale).

As for Jackie brawling with a Hotten Werewolf, well, how could Mr Wilks have known what was going on outside the pub?

Amos insisted that a good publican should know what was going on on his premises at all times, Mr Wilks agreed (anything for a quiet life!) and Amos, made sweeter by mashed spud, gradually calmed down.

"I don't feel need for them tranquillisers any more - that's summat achieved. I can throw 'em away now!" said Amos.

"You've already thrown them away!" said Mr Wilks.

Amos was well and truly caught out.

"I've a confession, Mr Wilks!"

And he held up a bottle of the tablets.

Mr Wilks was disgusted. "I should say you have!"

"Well, doctor gave me two bottles, and I kept one back - just in case things started getting on top of me again..."

Mr Wilks snatched the bottle from Amos. "Aye well, at least we can get rid of these now any road!"

He examined the label and stopped short.

"Are these the same as t'others?"

"I suppose so, why not?" said Amos, tucking into his mashed taties again.

"They're not tranquillisers!" said Mr Wilks.

"What do you mean?"

"They're vitamin pills!"

"Eh?" Amos took the bottle back and examined the label. "Well they must be very strong vitamin pills, that's all I can say!"

The happiness-making properties of the pills had been purely in Amos' own mind - a true placebo effect.

The two men looked at each other across the table.

And then began to laugh.

The Woolpack was restored to its old, peculiar normality.

And there were mashed taties to be eaten.

Uttered In The '80s - Part 8

Amos Brearly in 1988: "If you sit too long in that Mediterranean sun it can play havoc with your skin. It's all them ultra-violent rays."

Amos was, of course, Beckindale's very own master of the malapropism!

E-Mails - Wikipedia On Emmerdale And Amos' Brother...

Amos (Ronald Magill) and Walter (Al Dixon) in 1984 - ignored by Press and viewers alike? And the Plane Crash story-line of 1993/94.

Rob is rather annoyed having recently had a look at Wikipedia, which, apparently says that Emmerdale was ignored by Press and viewers alike until the Plane Crash storyline, which, basically made it popular...

I've been reading the BARB monthly ratings, and apparently Emmerdale Farm had up to 15 million viewers in 1978 - and remember, Thames and Anglia were showing it at 5.15pm at that time. In 1984 it had up to 15.1 million viewers - although Thames and Anglia were STILL showing it at teatime.

The plane crash brought the show 16.8 million viewers in January 1994, its highest ever rating, but then it plummeted out of the top twenty in February and bobbed up again in March with a paltry 11.7 million. In April 1994 it had 11.6 and in May, 11 million.

The "Emmerdale was only popular after the plane crash" spiel is pure Wikipedia myth. Saying it does not make it so!

I remember once using Wikipedia in all seriousness to research a subject and ending up in a right old pickle. Wikipedia is largely facts as its writers would LIKE them to be in my opinion, and it changes day-by-day. Having said that, I'm sure it has SOME reliable information. But the fact that anything can be altered by anyone makes it impossible to trust.

Cerys writes:

Interesting to see Amos' brother, Ezra, on the Bugle. Have you any more details of his relatives?

Well, Cerys, Amos' Auntie Amelia threatened to visit in 1976, but never turned up.

in 1980, Amos' Auntie Emily Brearly (Ann Way) first appeared. She made a further visit in 1983.

Amos spoke of his great-grandfather Brearly as the man who began the family's undertaking business in Bridlington, and his Uncle Arthur was occasionally mentioned (he died in 1983), as was his cousin Alicia (who also died in the early 1980s).

Amos mentioned a long-deceased Auntie Ruby in 1980 - he was afraid that she was haunting The Woolpack!

Perhaps I should try and knock up a Brearly family tree!

1983: Amos Brearly's Brother...

Ezra Brearly (Martin Matthews) chunters on to Walter (Al Dixon) and Mr Wilks (Arthur Pentelow)...

Did Amos Brearly (Ronald Magill) have any brothers and sisters, asks Moggy?

Amos spoke of having a deceased brother and in late 1983 a very much alive one turned up in Beckindale. This was Ezra Brearly (played by Martin Matthews) - a butcher. "You could say as I went from one slab to another, so to speak," he told Mr Wilks, referring to the Brearly family trade as undertakers.

He introduced himself to Seth Armstrong as "Ezra Brearly - manager and proprietor of the Butchery, Whitehaven," and was also, apparently, president of the Whitehaven Chamber of Commerce.

Having eaten a few meals at The Woolpack, he told his brother: "If you'll take my criticism, Amos, as a man who knows his sausages, I don't like the look of yours!"

Ezra drove an old-fashioned motorcycle with a side car, drank a lot of Amos' beer, and it was apparent that the two brothers didn't get on.

1989: Beckindale Gets Knitting - Again...

1989... the year Tim Berners-Lee invented the World Wide Web, the Berlin Wall came down, Acid House Raves rocked youth culture, Sky TV was launched and, over in America, Game Boy arrived...

And the year also brought a new knitting book from Emmerdale Farm, the first since 1983. Out came the needles across the land.

On the cover were Kate (Sally Knyvette) and Joe (Frazer Hines) Sugden. After a stormy relationship, they tied the knot in '89, but married life was not to be peaceful as Kate found her organic venture at Crossgill beset by slugs, and her daughter, Rachel (Glenda McKay) tumbled into an affair with married Pete Whiteley (Jim Millea).

A traumatic year for Dolly (Jean Rogers) and son Sam Skilbeck (Benjamin Whitehead), also on the knitting book cover, as the Skilbeck marriage finally broke up. For Amos Brearly (Ronald Magill) there was irritation as Mr Wilks (Arthur Pentelow) developed hay fever and sneezed his way through the summer...

Evolution not revolution was the apparent intention of Emmerdale Farm producer Stuart Doughty, the man from Brookside, featured in the knitting book wearing a charming jumper. He took the producer's chair in 1988. His reign saw tense drama in Beckindale in 1989, and the arrival of the Tate family at Home Farm in November of that year.

1989 also saw the deletion of the word "Farm" from the show's title, as Doughty decided to begin dropping some of the farming content - and to reflect the fact that a lot of the show was not actually about the farm.

From a temporary bit-part in 1978, to full-time character status in 1980, Seth Armstrong (Stan Richards) spent quite a lot of 1989 baiting Amos Brearly. Situation normal.

Kathy Merrick (Malandra Burrows) - looking charming in a lovely '80s cardie. The poor girl faced the tragic loss of her husband, Jackie (Ian Sharrock) in 1989 - he accidentally shot himself whilst hunting a troublesome fox.

Amos and Mr Wilks - a stormy year at The Woolpack as Amos realised just how irritating Mr Wilks was (!!!!). He told Seth: "I cannot understand why I've never noticed before, he's got more irritating habits than anyone I've ever known - including you, Seth Armstrong!"

Matt Skilbeck (Frederick Pyne) - lovely cardie, but 1989 had it in for the man. His marriage to Dolly was at an end. Frederick Pyne recorded Matt's last scenes in November, and Matt was last seen on-screen in December.

Caroline Bates (Diana Davies) arrived as a temp secretary at NY Estates in 1984. She soon became permanent. Since his arrival in 1982, Alan Turner (Richard Thorp) had been making a proper pig's ear of things on the estate, and Mrs Bates was his saviour. Romance developed and, in 1989, the two planned to wed. But things didn't work out, and Mrs Bates left Beckindale, in tears, in November to look after her ailing mother in Scarborough.

Matriarch Annie Sugden (Sheila Mercier). Her strength finally crumbled in 1989, and she found herself developing a dependency on tranquillisers. Recovering, she faced new heartache - businessman Denis Rigg's underhand attempts to buy the farm, and then the death of her grandson, Jackie.

Archie Brooks (Tony Pitts) - first turned up clutching a ghetto blaster and sporting a hairdo rather like David Sylvian's, of synth pop group Japan, in November 1983. He sported a very natty alphabet jumper for the knitting book in 1989, and temporarily departed from Beckindale in November to live with his mum when the old outbuilding he called home became too draughty.

Emmerdale Farm - Entering The 1980s!

What were the early months of 1980 like in Beckindale? Well, the start of a new decade should have brought smiles to a few faces.

Let's timewarp back and pop up to Home Farm to see Judy Westrop (Jane Cussons). Good old Judy's having a fag and saying: "I'm angry - and I'm enjoying it!"

Oh dear...

And Matt Skilbeck (Frederick Pyne) is at the hospital where there's bad news from the doctor: "I'm sorry, Mr Skilbeck, there's no choice. Your wife's condition is critical. We must operate now."

Oh no! But surely there's better news at The Woolpack? After all, Amos Brearly (Ronald Magill) is sure to want to start the new decade on a positive note...

Oh 'eck! Steady on, Amos - you'll do yourself a mischief!

"ARRRGGHHH!!!"

Too late!

Oh, well... much better news - Clive Hornby made his first appearance as Jack Sugden on 19 February 1980 - and Joe (Frazer Hines) greeted him: "Welcome back to Emmerdale, big brother!"

And a bit later there was a new woman at Annie's Aga - just temporary of course... but, hang on, doesn't she look familiar? Good grief, it's Pam St Clement, later Pat of EastEnders, getting an early taste of soap life as Mrs Eckersley in March 1980.

Eee, and Grandad Sam Pearson (Toke Townley) caught a big smelly fish whilst on holiday in Ireland: "I'm goin' to 'ave it stuffed, and it's goin' in a glass case over't mantelpiece," said Grandad.

Yeuk!

Funny old year. Funny old start to a new decade...

However, villagers and viewers alike were delighted to meet the new Dolly Skilbeck, now played by Jean Rogers. The new Dolly made her screen debut on 1 April, 1980.

More from the early months of the decade's first year soon!