Judy Westrop And Alan Turner...

Judy Westrop (Jane Cussons) - a signed photograph from 1980.

Two former inhabitants of Home Farm are the subject of e-mail enquiries this week.

Jez asks:

Did Judy Westrop ever return to the show?

Not as far as I know, Jez. Judy departed in the summer of 1980, and Beckindale saw no more of her. After a brief word of explanation from Dolly Skilbeck (Jean Rogers) about Judy's whereabouts (she had relocated to take up a new job) I don't think that she was ever mentioned again.

However, Judy's father, Maurice (Edward Dentith), who had departed from Beckindale in May 1980, was mentioned again. Alan Turner (Richard Thorp) criticised him and Richard Anstey (Carl Rigg), his predecessors as NY Beckindale managers, for not having the Turner drive and spark in 1982.

And that brings us neatly on to our second e-mail enquiry - this time from Brian:

Was Alan Turner really a swine right from the beginning?

Not really, Brian. In 1982, Alan seemed a bit of a silver-tongued, faintly devious smoothy. There were problems for Joe (Frazer Hines) as farm manager, particularly when cattle at Emmerdale stampeded after a helicopter spraying crops for NY flew too low - but this occurred because Joe had asked the pilot to spray some Emmerdale land as a favour - and was mainly due to a breakdown in communication between Matt Skilbeck (Frederick Pyne) and Jack Sugden (Clive Hornby). The cows were in the wrong field.

Alan blamed Joe for the incident - and, I think, he had a point. Doing favours for other farmers in this way could be risky, and Alan was furious when NY ended up paying Emmerdale compensation for the accident.

Another bone of contention was an area of land known by Henry Wilks (Arthur Pentelow) as "Primrose Dingle". Builders dumping debris here upset Mr Wilks, but it turned out that they were doing so under contract - a contract drawn up by Joe before Alan Turner arrived. However, the contract was for six weeks and the builders had well exceeded this - whilst Joe had simply stood by and let them.

Pat Sugden (Helen Weir), working as a clerk at NY briefly, was startled to see a steely side to Alan's nature when he criticised Joe to Head Office on the phone. Joe felt completely unsupported by Alan, and believed that Mr T was simply out for himself.

I certainly wouldn't call Alan a "nice" character in 1982, but there was far worse (and far better) to come. Things really began to get interesting when Alan brought home a young woman to Home Farm for a one night stand in early 1983 and we began to see his boozy, lecherous side. By the end of that year, we'd seen more of his deviousness, heard more of his silver tongue, and found the guy could be completely unfair and quite ruthless.

But we'd also seen sadness and vulnerability. And Richard Thorp's famous twinkle, beaming out from a face which, it seemed, couldn't possibly bear anybody any ill will, had begun to make us warm to the character.

Plus, the comic encounters with Seth Armstrong (Stan Richards) were well and truly kicking in.

And then, in 1984, came Mrs Bates (Diana Davies).

To sum up, Brian, I would say that Alan Turner's "JR" tag from 1982 until midway through the decade was a tremendous exaggeration.

But you'll be able to judge for yourself. We've got lots more Mr Turner material planned for the Bugle.

Thanks for writing.

Judy Westrop And Other Queries...

Billie asks: How long did Judy Westrop (Jane Cussons) appear in Emmerdale Farm?

1979-1980, Billie. She debuted in the show in '79, the year of the ITV Strike, which, of course, disrupted Emmerdale Farm as much as any other ITV show.

In May 1980, Judy's father, Maurice (Edward Dentith), left Beckindale, but Judy stayed on to work at Hotten Cattle Market and live at Demdyke Row. She had a brief but unhappy dalliance with a gutter press journalist, who was in Beckindale to "dig the dirt" on the newly-returned Jack Sugden.

Judy left to take up a new job elsewhere in the late summer of 1980.

Carol enquires:

I've read that Jack Sugden was framed for setting fire to an NY Estates barn around 1980. What were the pyrotechnics like way back then?

Non-existent in this instance, Carol! The story-line actually took place in 1981, with Tom Merrick out to frame Jack, but although the barn apparently burnt down, we saw nothing on-screen.

Paul says:

More Malandra Burrows, please. I've loved her since those days of yore.

There'll be more soon, Paul - I promise!

And finally - from Mike:

Just found this blog of yours. It's really good stuff.

Cheers, Mike, the cheque's in the post!

1981: Jackie Merrick With A Gun!

Summer 1981, and young Jackie Merrick (Ian Sharrock) seemed to be settling into his new job as assistant to NY Estates gamekeeper, Seth Armstrong (Stan Richards).

Seth began inducting Jackie into the safe art of using a gun, and things seemed to be going well - until Jackie showed off a little in front of a couple of his mates - one of these being Seth's son, Fred.

Things got a little out of hand, the gun went off, and shot out a window of the Merricks' caravan. No harm was done, there was no great drama - although, as was made plain to Jackie, things could have been very different - particularly as his sister Sandie and her boyfriend were inside the caravan at the time.

Seth was furious with the daft young lad. Jackie bemoaned his stupidity. Word spread to his boss, Joe Sugden, who covered for him with Richard Anstey. But it was made plain by both Joe and Seth that Jackie was now barred from using the NY guns.

Perhaps Jackie should have stayed away from guns for good. In 1989, a tired act of clumsiness with a gun would result in his death.

Friends again - Seth and Jackie - Stan Richards and Ian Sharrock - at the corner shop in Esholt. Jackie had a black eye - all part of the story-line - the lad had almost got into a punch-up at the local disco, and sustained slight damage. This photograph was taken by the Esholt shop's proprietor in 1983 and sold as postcards for some years afterwards.

1981: Brothers At War - With Each Other - And Joe Lives In Hope...

Caught between the warring Sugden brothers (Frazer Hines and Clive Hornby), Matt Skilbeck (Frederick Pyne) longed for a peaceful life.

There was an outbreak of food poisoning at The Woolpack in late 1981. Amos had made a rabbit pie, from a rabbit given to himself and Mr Wilks by Seth Armstrong. He'd borrowed Annie's recipe book, and the pie was (apparently) a culinary delight. But very soon after it was eaten, the colly-wobbles set in. Seth's rabbit was, it seems, the chief suspect.

As Amos and Mr Wilks were not up to the evening session, kindly Dolly Skilbeck offered to step in and look after the bar for a while. This left her husband Matt alone at a quiet table in the pub with Jack and Joe Sugden. The table was not quiet for long.

Joe was in high spirits: Richard Anstey had gone from NY Estates, gone from Beckindale. Joe had enjoyed his time working with Richard, but the last few months had been fraught. Richard's affair with Virginia Lattimore, wife of NY regional manager Derek, had rather shocked Joe - particularly when he'd discovered the couple openly kissing outside Home Farm.

A wrangle over a pig unit hadn't helped: Joe wanted a unit for NY's Beckindale holding, having visited Lincoln and seen one in action, Richard was opposed to the idea on several grounds - not least that it would give Derek Lattimore reason to visit Home Farm more often to oversee the new development.

And Derek was growing suspicious that Richard and his wife were having an affair.

The languid and lovely Virginia Lattimore (Wanda Moore) shared intimate moments with Richard Anstey (Carl Rigg) at Home Farm in the 1980s.

Richard was also beginning to think that Joe was a bit of a bumpkin at times: "This is big business, Joe, not Emmerdale Farm!" he exploded on one occasion.

Tensions grew, Richard felt that Joe had plotted against him when the decision was taken over his head to start a pig unit at the Beckindale NY operation. He was finally told by NY chief Christopher Meadows to leave.

Joe was sorry to see Richard go, but Richard found it hard to believe that Joe hadn't plotted his downfall, with one eye on his own main chance.

Christopher Meadows asked Joe to take over the Beckindale holding as temporary manager for a few months - and who knows, perhaps he could apply for the position on a permanent basis? NY was apparently very pleased with Joe's work. Joe was thrilled.

But Jack was not so. In The Woolpack, with poor old Matt playing piggy-in-the-middle, Jack told Joe in no uncertain terms that he may be king of one castle, but if he thought he was going to be king of two (NY and Emmerdale Farm) he had another think coming!

The evening ended on a very stormy note.

But never mind. Joe had temporary promotion at NY, and could look forward to a possible permanent manager's post.

Christopher Meadows had been so encouraging.

As 1981 moved towards 1982, Joe decided that he would apply for the post.

But whether he would get it or not, well, who knows?

Why No Alan Turner?

Our Mr Turner enjoys a nice cuppa in 1986.

Hassan asks: Why no Alan Turner in your 1980 and 1981 reviews so far?

Because he didn't arrive in Beckindale until March 1982, Hassan. Apparently, the plan was to feature the character for a few months, then NY Estates was to pull out of Beckindale and Alan would leave. But, of course, his on-screen rapport with Stan Richards as Seth Armstrong ("GET OUT, SETH!") and a certain child-like vulnerability about Mr Turner's character, coupled with a warm smile and twinkling eye, ensured that the character stayed on. No cardboard villain, this!

There is quite a lot of Alan Turner material on this blog - click here - and I have prepared a little chart of 1980s NY Estates managers below.

1980: Cops And Robbers...

Most of 1980 was pretty peaceful for Beckindale's PC Ted Edwards...

But December brought the first appearance of Sergeant Ian MacArthur, over from Hotten to investigate a theft of Christmas trees from the plantation at NY Estates in Beckindale.

The culprits were one Derek Warner and...

... one Tom Merrick of Hotten, formerly of Beckindale. Edward Peel, who debuted in the role of Tom in 1980, gave an electrifying performance as the sneering villain, and is the actor who immediately springs to mind whenever I think of the character.

Tom had come to Beckindale in pursuit of his wife, Pat, and kids, Jackie and Sandie. Pat had left him a couple of months earlier and was living with their teenage children in a caravan on NY Estates land at Home Farm.

1980: Ups And Downs At NY Estates...

Up The Workers - John Tuplin (Malcolm Raeburn) and Daniel Hawkins (Alan Starkey) ruminate over a pint.

We finally escaped from the office and got out amongst the land workers at the NY Estates Beckindale holding in 1980. John Tuplin was unhappy with his wage. NY Estates insisted that they were paying the "going rate", but John called for the men to join the Union. This they did, and the Union told NY Estates Beckindale boss Richard Anstey that the company were actually paying the minimum rate, and demanded an increase.

The result was a 5% pay rise for the men, although it might have been more if Richard Anstey had been a little more honest.

Meanwhile, Daniel Hawkins, a cowman on the estate since the Verneys' era, was most unhappy at new farm manager Joe Sugden's suggestion that hormone injection trials should take place. He was protective of the cattle, and closely questioned Joe about the safety aspects of such a move.
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But Daniel lost that battle.

1980: Farewell To Maurice Westrop...

In the spring of 1980, Maurice Westrop (Edward Dentith), head of NY Estates' Beckindale holding, had momentous news for his daughter, Judy (Jane Cussons). He started with a question:

"How attached to this place are you?"

"The village or the house?"

"Both. Either."

"More attached than I have been for a long time. We've moved about a lot since Mother died," Judy sighed. She had experienced many problems since the death of her mother.

"Is that what you want - a permanent home?"

"Oh, perhaps not. It's one of those things you tell yourself will put everything right. It won't, of course. I'm sorry. I didn't mean to go off on that tack."

"What you've just said is important. I hadn't realised when you were younger, moving on every couple of years to a new school, a different house..."

"It doesn't matter. It's just one of those things - plenty of people live like that. Anyway, what brought this on?"

"I'm moving on again. They want me over in North Wales, permanently."

"I see."

"It's not my choice."

"I know. When?"

"In a few weeks."

"Well, that's that then."

"If it's that important, I could get in touch..."

"No you couldn't. You're doing very nicely with NY Estates. And anyway..."

"And anyway I'm too old to change horses. You're right."

Judy made to escape the kitchen - "Today you're going to have a proper lunch. I'm doing complicated things to a chicken."

"We've got to talk this over. I hope you'll come with me."

Judy's mind was awhirl. Everything had changed in just a few minutes. "I don't know. I don't know." And she left the room, leaving an anxious Maurice behind her.

On a visit to Emmerdale Farm, Judy had a piece of good fortune.

"You still looking for a job?" asked Matt Skilbeck (Frederick Pyne).

"Why?"

"Huxleys', the auctioneers in Hotten Market, they're looking for someone."

"To do what?"

Matt shrugged: "All I know is that I couldn't see Ben Huxley this morning cos he was interviewing somebody for it. Give 'em a ring."

"Oh, there's not much point - I've just been telling Annie that Dad's been posted to North Wales, he's going to manage the big estate up there."

"It's like the Army - moving you about from pillar to post!" commented Sam Pearson (Toke Townley).

"He wants me to go with him," said Judy.

"Well, how long before you'll be going?" asked Matt.

"Three weeks. If I go."

"I thought you weren't interested in't job because you were going?"

"I don't really seem too sure of anything," said Judy, forlornly.

Word travelled fast in Beckindale. The next day, at Home Farm, Maurice commented:

"I hear you've been looking round for jobs? I'm sure I could fix you up with something in North Wales."

"I've started to make friends here."

"You'd do that anywhere!"

"Do you realise I haven't any old friends? Oh, there are plenty of people scattered all over the place that I've known for a few months before moving on. Friends I'll probably never see again. If I come to Wales with you it'll be the same thing all over again. Christmas cards for a few years before we cross each other off our lists... Dolly and Matt. Annie Sugden. Henry Wilks...."

She told her father that Huxley's were looking for an assistant to the auctioneer.

She'd grown close to her father during her stay at Home Farm and the thought of parting was not easy. But she told Maurice she'd decided to visit Hotten Market the following day, which was market day: "I thought I'd just like to get the feel of it before I commit myself."

And so the next day she went to Hotten. She took a good look around the market, then went to the desk: "Do you know if the vacancy for an auctioneer's assistant is still open?"

Back at Home Farm, Maurice was waiting:

"You want to stay here, don't you?"

Judy told him that she had been to Huxley's and that the vacancy was still open.

"You're taking it."

"Well, I asked for a day or two to decide."

It was all very difficult. Maurice told Judy that he felt a sense of responsibility for her, belated though it was. Judy confided in Jack Sugden that she felt a sense of responsibility towards her father.

Jack had lots to say: "These women who turn their backs on a career and marriage to look after their parents don't get a lot of sympathy from me. No parent has a right to bring a child into this world and then deny it a life of its own. And no child has a right to opt for martyrdom. Not these days, anyway." He grinned: "How come whenever I talk to you I start preaching at you?"

"Perhaps I'm in need of conversion," said Judy.

"Yeah, well, don't quote me when you tell your father you're stopping in Beckindale."

"Who said I was?"

"You're not the stuff that martyrs are made of."

"How do you know- you don't even know me?"

"I'm a writer, remember? We like to think we can explain our fellow creatures to themselves."

"Can you?"

Jack smiled - and shrugged.

"Whatever you do, it'll have to be your decision," said Maurice later back at Home Farm. "And if you find you've made a mistake you won't be able to get back at me."

Judy took a deep breath: "I've decided to stay."

"I know," her father replied, quietly.

"How could you possibly know, I didn't know myself till this morning!"

"What you mean is that's the first time you've admitted it to yourself. I've known all along - from the look on your face when I first mentioned going to Wales. You've never been able to keep any secrets from me. When you were a little girl I had only to look in your eyes - your mouth was saying one thing, your eyes were saying another."

"Thanks very much!" Judy smiled.

"I hope you'll settle down at Huxley's. I think you will - it'll be an interesting job - going round all the farms."

"I haven't said I'll take it yet. I'm not sure."

"They'll be very disappointed if you don't - they're banking on it." Then, as Judy looked at him quizzically: "Oh, I was there yesterday about the Mashams. Ben Huxley's under the impression that you'll be starting next week."

"What have you been saying?!"

"Nothing. Oh, er, I may have mentioned that they'd find you an honest, careful and conscientious worker."

"You really are an old devil!"

"I hope I haven't been speaking out of turn?"

Judy looked at him anxiously: "Do you mind?"

"Well, if you're not coming with me, I'd feel better knowing what you're doing."

"That's not what I meant."

Maurice smiled: "We'll see each other."

"You'll really be all right?"

"Oh for heaven's sake, I'm not in my dotage yet! And I've looked after myself for long enough. You'd have never have stuck North Wales anyway! Three months and you'd have been off again - heaven knows where!"

Judy grinned: "You really do know me, don't you?"

Some days later, on a visit to Emmerdale Farm, Judy talked things over with Annie (Sheila Mercier) and Dolly (Jean Rogers):

"I don't think Dad's altogether happy about my staying on."

"Oh, he's bound to worry," said Annie.

"It's difficult to explain really. I want to stay in Beckindale, but it's more than that. It's time I stood on my own two feet again. That's really what's at the back of it."

There was one remaining practical difficulty: accommodation.

"I don't want to be a burden at Home Farm - people too polite to throw me out, but wondering why I'm still there!"

"There's a simple answer - Demdyke!" cried Annie. Joe (Frazer Hines) was away in America and wouldn't be back for a couple of months - Judy could stay there until she found a place of her own.

"Well, thanks, Annie, but I don't know that Joe..."

"It's simple! When he rings from America I'll ask him. There's only two answers!"

And, of course, Joe said yes.

On the eve of his departure, Maurice was sad. Annie had invited the Westrops for a meal at Emmerdale, and Judy commented: "We're going to be very early."

"I thought we'd call in at the Woolpack on the way."

"You're really feeling it, aren't you?"

"I didn't think I would... all these years, moving about from place to place. I'd rather hoped this was the last stop."

"You shouldn't have started packing so early!"

"Well, it's no good pretending it isn't going to happen. It's you as well, Judy. Leaving you behind makes it all the more difficult."

"I won't be the other side of the world. We'll still see each other."

"On high days and holidays!"

"Oh, more than that! And anyway, can that be bad? Before I came here we hardly saw each other at all. We hadn't had a real conversation for years."

"I've been spoilt!"

"Nobody ever died of that!"

"I suppose you're looking forward to Joe coming back?"

"Oh, it'll be good to see him."

"And that's all?"

Judy laughed: "Oh, Dad, stop trying to get me married off!"

"It's just a fatherly interest. I'm not prying."

"I don't know what'll happen. Oh, there was a time when I thought it might take off - somehow it didn't. But he's a marvellous friend - and that's what matters. Now come on - it's gloomy here, let's go. Amos can cheer us up with tales of his vegetable patch." For Amos Brearly (Ronald Magill) had just gained an allotment in Beckindale, and spoke of little else.

After an enjoyable stop-off at The Woolpack, the Westrops, father and daughter, set off for Emmerdale Farm.

Before the meal commenced, Henry Wilks (Arthur Pentelow) proposed a toast:

"Let's just say this is not a farewell dinner. Maurice has become a good friend over the last two years and I know he'll be coming back to Beckindale - Judy's staying here to make sure that he does..."

Surrounded by friends and with new horizons beckoning, Maurice felt a little happier.

The gathering stood up to drink a toast:

"TO THE FUTURE!"

Terence Turner

From the Emmerdale Farm Celebration Edition 1000 Episodes magazine, 1985:

Terence Turner arrived on his father's doorstep in April this year having been sent down from Oxford where he was studying agriculture. Far too sophisticated, he feels, for a farming career. Terence has been trying to make his fortune ever since with a series of unlikely schemes such as "home-made" lime pickle and rock climbing. He is currently working on a dry ski slope project. Arrogant and lazy, Terence can nevertheless be amusing when he wishes, and he's recently been going out with Sandie Merrick, much to the consternation of the Sugden family.

Stephen Marchant (Terence Turner):

The other day Stephen Marchant was standing in Boots, innocently queing to buy a tube of toothpaste, when a young girl rushed over and spat at him: "I hate you!"

The other shoppers politely glanced away, assuming it was some lover's tiff, but Stephen had never seen the girl before and in fact she wasn't even talking to him. Her venom was intended for Terence Turner, Alan Turner's unpleasant son.

Stephen Marchant and the arrogant smoothie Terence have very little in common. Unlike Oxford-educated Turner, Stephen is an East Ender who left school as soon as he could for a series of dead-end jobs. He went to America and worked for a time as a DJ on an American radio station. Then he returned to England and has spent the last five years working in theatre in Bristol.

"If I wasn't an actor I'd work in conservation or some form of ecology," says Terence.

Out riding...

In late 1985, Terence was in charge of organising the shoots at Home Farm. But Alan wasn't happy. Terence's presence in the office at NY Estates was a thorn in Alan's side - and also Mrs Bates's. As she told Alan, she didn't quite know who her boss was!

Terence had a habit of putting his foot in it and, discussing the menu for an upcoming Shoot with Mrs Bates, spouted: "Now, what about a wine? Don't get any of that awful plonk the old man blew his money on!" Of course, he was totally unaware that his father was in the room. Until it was too late.

At the Woolpack, Terence chatted up newcomer Kathy Bates: "I'm on my own. You're on you're own. I fancy you. Well, if you fancy me let's get back to Home Farm, put some sounds on very loud and er... we'll get something together. I think you know what I mean."

Kathy basically told him that she wasn't interested. And she told him that what the locals said about him was quite wrong: "Pillock's nowhere near it!"

Terence moved over to the bar and tried to get back in Sandie's good books. He invited her back for a "nightcap". "Thanks, Terry," said Sandie, who had overheard his conversation with Kathy. "But I'd only be in the way!"

Terence was puzzled: "Sorry?"

"Well, I thought Kathy Bates would be there?"

"Very funny!" and Terence left the pub.

Sandie told Jackie that she didn't really know how she had ever liked Terence.

"This village is really starting to get on my nerves," said Terence to his father back at Home Farm.

Despite his differences with his son, Alan was greatly looking forward to having him at home over the festive season.

"Well, it'll be all right over Christmas," he replied. "I thought we might have a bit of a party. You know, nothing lavish - a sort of in loco Lord of the Manor do."

Terence broke the news that he would not be in Beckindale for Christmas: a friend had phoned, he had rented a cottage in Ireland over the festive season - "with plenty of booze and a bit of skirt", and had invited Terence to join him. Terence eagerly anticipated being saved from a "celibate Christmas".

Alan was downcast: "You've made up your mind?"

"Nothing to keep me here, is there?" asked Terence.

"No. No, I suppose not."

After Terence had retired to bed, Alan switched off the Christmas tree lights and retired to his own room, his plans for the festive season in tatters.

Mrs Bates

From "The Hotten Courier", Yorkshire Television "Emmerdale Farm" programme publicity, September 1984.

Mrs Bates, who arrived in Beckindale in 1984, had a broken marriage, two teenage children and a nightmare boss in Alan Turner at NY Estates. But she coped. The character's amusement at Alan's various acts of stupidity and her quiet, caring nature added a great deal of "must watch" factor to Emmerdale Farm.

Mrs Bates was not originally intended to be a major character, but Diana Davies added something to the role which ensured that she was. Richard Thorp (Alan Turner) recalls:

"Oh, Alan was an absolute stinker in the beginning, he rubbed everyone up the wrong way. The major influence on him was Mrs Bates who was played by Diana Davies. In the very first scene we did together I was losing my temper, ranting and raving, so she sent me up and it came across when we did the scene."

The Alan Turner/Mrs Bates NY Estates scenes were terrific to watch.

Mrs Bates ranks as one of my all-time favourite Beckindalers.

Diana Davies autograph from the 1980s.

Seth and His Boss!

From the Yorkshire Evening Post's 1985 supplement - Emmerdale Farm 1,000!

Somebody recently turned to Stan Richards with a quizzical look and asked: "Why is it you talk right posh when you're on the telly?"

Stan, who is as much a part of Barnsley as Arthur Scargill's ceremonial pit lamp, couldn't come up with an answer.

Apart from the now legendary woolly hat and a change of spectacles, the real Stan Richards isn't very far removed from the fictitious Seth Armstrong of "Emmerdale Farm".

Perhaps the biggest difference between the two down-to-earth characters is all that Woolpack ale Seth pours down his neck. Stan can't stand the stuff.

He has to grin and bear it as he swigs his way through scene after scene in anguish with Amos.

But as soon as the cameras have stopped rolling he screws up his face in disgust and swills his gums with a glass of scotch.

Those gums have become his stock-in-trade, not only as a highly-popular Seth, but over more than 30 years they have made him a sought-after toothless grin around the working men's clubs of the North.

"It isn't a gimmick," he says. "I just don't like wearing false teeth. And now I don't have to."

The role of Seth has come like a pools win for the lad from the mining town who still calls corrugated iron "wriggly tin".

He was originally signed up for a mere five episodes. "They must have liked me because they kept asking me back," he says. He is now one of the series well-loved fixtures and fittings.

That unmistakable face, set off by a magnificent handlebar moustache, means a lot of writer's cramp signing autograph after autograph.

But Stan never grumbles. At 54 he remembers the days as a struggling stand-up comic.

Going even farther back, he recalls his start in showbusiness. At the age of 15, as a pupil of Barnsley Grammar School, he used to enjoy a pint and a Woodbine while playing the piano around local pubs.

One of his first jobs was as a Ministry of Labour clerk. But he was transferred to London, which didn't do for a pure-bred Northerner.

"I couldn't stand the place," he says. "I packed up my job and came home."

After that he went to work in the accounts department of the local disinfectant factory and that's where he remained until 1965, when he decided to go full-time professional as a solo comic.

Television bit parts bolstered his earnings and he now boasts of acting alongside Vanessa Redgrave and Dustin Hoffman.

That was a 10 -second appearance as an hotel porter in the film "Agatha".

He still keeps his hand in with working men's club dates, although it means strenuously long hours after doing a stint in the studios or on location.

Stan is a realist whose lifestyle has hardly altered since he found "Emmerdale" stardom.

"I was born and bred in Barnsley," he says with that pride which seems to accompany everyone who was born and bred there.

"To me it is the greatest place in the world. That is where I intend to stay.

"As far as the neighbours and my mates down the local are concerned, I'm still Stan Richards, an ordinary chap with a wife and six kids.

"I think they're all happy to see me successful. But nothing's changed."

He knows that one day Seth Armstrong or the series might cease to exist. As he tells his club audiences: "I used to be a clairvoyant, but I had to give it up due to unforeseen circumstances."

"You're a very, very nasty man," an elderly lady once told actor Richard Thorp as he sat in a genteel tea-room...

Richard, of course, is the "JR"-type manager of NY Estates in "Emmerdale Farm", but in reality he is a quietly-spoken, gentle man with a ready smile and a deep-throated chuckle.

Seth Armstrong's boss, and the bane of the gamekeeper's life, escapes to his beautiful old Tudor home in Sussex each weekend to join his wife, Noola, a TV floor manager.

The couple love animals and have two dogs, eight ducks, 14 chickens and numerous "wild" pets.

Richard tells an amusing "Emmerdale" story about a horse...

"I admit I'm a bit on the stout side and I had to get on a horse in one scene. The director said 'Action,' I hoisted myself into the saddle - and the entire production crew crew fell about laughing.

"I sat bemused until they explained that the horse, which was facing directly into the camera, had pulled a face when I climbed aboard."

The '80s Bad Boys Of Beckindale...

The first of the 1980s bad guys who brought a touch of the ruthless to Beckindale was one Alan Turner - manager of NY Estate's Beckindale venture at Home Farm.

Alan swept into Beckindale in 1982. He blustered and bullied, and was thoroughly grotty to his staff - which included Joe Sugden. Women like Barbara Peters, the vicar's glamorous daughter, who worked for a time as Alan's secretary, could see through him and, despite his romantic overtures, kept their distance.

Interviewed in 1993, Richard Thorp recalled the turning point in Alan's life...

"Oh, Alan was an absolute stinker in the beginning, he rubbed everyone up the wrong way. The major influence on him was Mrs Bates who was played by Diana Davies. In the very first scene we did together I was losing my temper, ranting and raving, so she sent me up and it came across when we did the scene."

Mrs Bates arrived in 1984 and simply couldn't keep a straight face...

And so Alan became a lovable, comic character...

Remember the time in 1986 when he went on a diet, bought an exercise bike, talking scales, and took up jogging? By the time he reached the Woolpack after his first jogging session, he was close to collapse - and in fact he did so as soon as he entered the pub, flopping inelegantly onto the floor before the startled regulars.

"My gaffer!" said Seth Armstrong.

"My floor!" said Amos Brearly, who'd just cleaned it.

Not all the Beckindale '80s baddies turned out to be good fun in the end. Harry Mowlam (Godfrey James) was a thoroughly nasty piece of work who brought much unhappiness to Matt and Dolly Skilbeck when they intervened over Harry's mistreatment of his dog.

Mr Mowlam then left the scene for a time, returned in 1985, and was soon involved in a security van robbery, netting £6000. Harry had a huge inferiority complex - he thought that the village, and the folk at Emmerdale Farm in particular, looked down on him. He plagued the vicar, the Rev Donald Hinton, with questions and statements about religion, was a generous buyer of drinks in the Woolpack, and had a sadistic streak a mile wide.

When Dolly miscarried the baby she was carrying in 1985, Harry was very much on the scene and Matt later confessed that he thought Harry was the cause of the miscarriage. In 1986, Matt treated several of Harry's ailing sheep - taking them up to Emmerdale to do so. Three of the sheep died, through no fault of Matt's, but Harry, who had not given permission for the sheeps' removal to Emmerdale in the first place, was furious.

He frightened Dolly further by accosting her in Beckindale, then stole several Emmerdale sheep to "make good" his loss. Unfortunately Matt caught him in the act.

"I'm gonna break your bloody back..."

A terrible fight took place, entirely initiated by Harry - at one point he seemed set to squeeze the life out of Matt with a fierce bear hug. Matt fought back, Harry tripped and fell backwards into the beck and Matt left him with Mowlam's comforting assurance "I'll 'ave you, Skilbeck!" ringing in his ears.

The next day, out on a walk, Henry Wilks found Harry dead.

Matt was accused of the crime and endured several months of hell until the true culprit, Harry Mowlam's accomplice Derek Warner (Dennis Blanche), confessed to the crime, holding the Rev Donald Hinton hostage at St Mary's Vicarage before finally giving himself up to the police.

Richard Franklin (formerly Mike Yates of "Dr Who") with Frazer Hines (formerly Jamie McCrimmon of "Dr Who"). Photograph courtesy of Bill Sands.

Next on the list of '80s baddies is businessman Denis Rigg - played by Richard Franklin.

Turning up in 1988, Denis wasted absolutely no time in making enemies. He was too old to be a yuppie, but he was, however, a ruthless old school businessman - not ashamed to use underhand methods to get his way.

His desire to turn part of the area, including Emmerdale Farm, into a quarry not surprisingly met with resistance from the Sugdens in 1989. Rigg used various devious and underhand tactics to "persuade" them, including trying to get their long-term friend Henry Wilks on his side. After years in business himself, Henry knew Rigg's type, told him so, and showed him the door.

Rigg went to the farm to continue his campaign, cornered Joe in an outbuilding, tried the sweet approach, then turned nasty. Unfortunately, Rigg's tone and animated manner upset Emmerdale's prize bull, which Joe was tending at the time. Rigg was crushed against the wall by the bull and died.

So, judging by Alan, Harry, Derek and Denis one can assume that Beckindale's '80s baddies either turned nice, disappeared to prison never to return or got bumped off. But that's not absolutely true...

This man arrived to work as auctioneer at Hotten Market in 1986, and judging from his manner to his assistant, Sandie Merrick, right from the first, would not be qualifying for any Charmer of the Year awards.

Smiling in triumph in 1989, Eric Pollard's reign of rottenness was only just beginning as the show leapt into the increasingly far fetched '90s...

And no, he's never turned nice, never disappeared into prison forever, and never got "bumped off". Eric Pollard is one '80s Beckindale bad guy who still runs rampant - over twenty years after his debut.

Said Christopher Chittell of the role:

"There are certain destructive elements in all of us which we try to keep subdued, but they raise their ugly heads from time to time..."